Pathetic fallacy in wuthering heights

Nov 02, 2017 Pathetic fallacy in wuthering heights, buy an essay online for cheap 24/7 -

british essay format A major change that has occurred in the Western family is an increased incidence in divorce. Whereas in the past, divorce was a relatively rare occurrence, in recent times it has become quite commonplace. Pathetic Fallacy In Wuthering! This change is borne out clearly in census figures. For example thirty years ago in Australia, only one marriage in ten ended in tunnel history divorce; nowadays the fallacy heights figure is about The Destructive, more than one in three (Australian Bureau of Statistics, 1996: p.45). A consequence of this change has been a substantial increase in the number of single parent families and pathetic the attendant problems that this brings (Kilmartin, 1997) . Essay About The Destructive Power Of Peer! An important issue for in wuthering, sociologists, and indeed for all of society, is why these changes in marital patterns have occurred. In this essay I will seek to critically examine a number of sociological explanations for the #039;divorce phenomenon#039; and also consider the social policy implications that each explanation carries with it.

It will be argued that the best explanations are to be found within a broad socio-economic framework. One type of explanation for about Film of American History X, rising divorce has focused on changes in laws relating to marriage. For example, Bilton, Bonnett and Jones (1987) argue that increased rates of divorce do not necessarily indicate that families are now more unstable. Pathetic Fallacy! It is of Peer, possible, they claim, that there has always been a degree of marital instability. They suggest that changes in pathetic the law have been significant, because they have provided unhappily married couples with #039;access to a legal solution to pre-existent marital problems#039; (p.301) . Bilton et al. therefore believe that changes in divorce rates can be best explained in terms of changes in the legal system. The problem with this type of explanation however, is that it does not consider why these laws have changed in Essay Film of American History the first place.

It could be argued that reforms to pathetic fallacy in wuthering heights family law, as well as the increased rate of divorce that has accompanied them, are the product of more fundamental changes in society. Another type of explanation is one that focuses precisely on these broad societal changes. Tunnel! For example, Nicky Hart (cited in Haralambos, 1995) argues that increases in divorce and marital breakdown are the result of economic changes that have affected the family. One example of these changes is the raised material aspirations of families, which Hart suggests has put pressure on both spouses to become wage earners. Women as a result have been forced to become both homemakers and economic providers. According to Hart, the contradiction of these two roles has lead to fallacy in wuthering conflict and this is the main cause of marital breakdown. History! It would appear that Hart#039;s explanation cannot account for all cases of divorce - for example, marital breakdown is liable to occur in families where only the husband is working. Nevertheless, her approach, which is to relate changes in family relations to broader social forces, would seem to pathetic fallacy in wuthering be more probing than one that looks only at legislative change. The two explanations described above have very different implications for social policy, especially in relation to how the problem of increasing marital instability might be dealt with. Bilton et al. (1995) offer a legal explanation and hence would see the solutions also being determined in Essay Film of American X this domain.

If rises in divorce are thought to be the consequence of liberal divorce laws, the fallacy in wuthering heights obvious way to stem this rise is to make them less obtainable. Ethos! This approach, one imagines, would lead to a reduction in divorce statistics; however, it cannot really be held up as a genuine solution to the problems of marital stress and pathetic fallacy in wuthering breakdown in society. Indeed it would seem to be a solution directed more at which evidence to learn event symptoms than addressing fundamental causes. Furthermore, the experience of social workers, working in the area of family welfare suggests that restricting a couple#039;s access to pathetic in wuthering heights divorce would in some cases serve only to exacerbate existing marital problems (Johnson, 1981). How To Ethos! In those cases where violence is in wuthering, involved, the consequences could be tragic. Apart from all this, returning to more restrictive divorce laws seems to be a solution little favoured by Australians. (Harrison, 1990). Hart (cited in Haralambos, 1995), writing from a Marxist-feminist position, traces marital conflict to changes in customer the capitalist economic system and their resultant effect on pathetic fallacy heights the roles of men and women. It is Film Analysis History, difficult to know however, how such an analysis might be translated into fallacy practical social policies. This is because the Hart program would appear to require in the first place a radical restructuring of the economic system. Source Of Historical Evidence About Event! Whilst this may be desirable for some, it is pathetic, not achievable in how to ethos the present political climate.

Hart is right however, to suggest that much marital conflict can be linked in some way to the economic circumstances of families. This is borne out in many statistical surveys which show consistently that rates of divorce are higher among socially disadvantaged families (McDonald, 1993). This situation suggests then that social policies need to be geared to providing support and security for these types of families. It is little cause for optimism however, that in recent years governments of all persuasions have shown an increasing reluctance to fund social welfare programs of this kind. It is difficult to offer a comprehensive explanation for the growing trend of marital breakdown; and it is even more difficult to pathetic fallacy find solutions that might ameliorate the how to establish problems created by it. Clearly though, as I have argued in this essay, the most useful answers are to be found not within a narrow legal framework, but within a broader socio-economic one. Finally, it is worth pointing out that, whilst we may appear to be living in a time of pathetic in wuthering heights, increased family instability, research suggests that historically, instability may have been the norm rather than the exception. As Bell and Zajdow (1997) point out, in the past, single parent and step families were more common than is assumed - although the disruptive influence then was not divorce, but the premature death of one or both parents. This situation suggests that in studying the modern family, one needs to employ a historical perspective, including the possibility of looking to the past in searching for ways of dealing with problems in the present. Australian Bureau of Statistics (1996). Divorces, Australia . Canberra: Australian Government Printing Service.

Bell, R. and G. Zajdow (1997) Family and household. In R. Jureidini, S. Kenny and M. Poole (eds). Sociology: Australian Connections . St Leonards. NSW: Allen and Unwin. Bilton, T., K. Customer! Bonnett and P. Jones (1987). Pathetic Fallacy Heights! Introductory Sociology , 2nd edition. London: MacMillan. Haralambos, M. (1995).

Sociology: Themes and Perspectives , 3rd edition. How To Establish Ethos! London: Bell and Hyman. Harrison, M. (1995). Grounds for divorce. Family Matters . No 42 pp 34-35. Johnson, V. (1981).

The Last Resort: A Women#039;s Refuge . Ringwood: Penguin. Kilmartin, C. (1997). Children divorce and one-parent families. Family Matters . No. 48. ( Available On-line ) McDonald, P. (1993).

Family Trends and pathetic fallacy Structure in Australia . Australian Family Briefings No 3. Melbourne: Australian Institute of Family Studies. Problems? Questions? Comments? Please provide us feedback.

Nov 02, 2017 Pathetic fallacy in wuthering heights, order essays online: no plagiarism and top quality -

Male Magic: A Midsummer Night#039;s Dream - Essay. See also A Midsummer Night's Dream Criticism (Volume 29), and Volumes 45 , 58 , 82 . Irene Dash, Hunter College of the City University of pathetic heights, New York. And with the juice of this I'll streak her eyes, And make her full of hateful fantasies. Whether in the fantasy world of the forest or the equally fantastic world of Athens on a midsummer night, this play reveals how power, particularly political power, impinges on and shapes women's lives. Ranging from which best of historical to learn about how an unfolded?, queens�Hippolyta, a character taken from mythology, and Titania, belonging to fallacy in wuthering the fairy world�to youthful Athenian maidens in love, to a parodic heroine in how to establish, an entertainment for fallacy heights the Duke's guests, these characters illustrate women's varied reactions to the imposition of power. One seems to adjust; one discovers new facts about herself; one serves as a lens for looking at the larger world; and one significantly reveals the tragic dimensions of the loss of power.

Least mortal and Essay Film Analysis of American yet seeming in her speeches and attitudes to mimic the mortal world, the fairy queen illustrates most clearly the loss of self�the abdication of autonomy�that may follow a woman's being victimized, even by pathetic fallacy heights fairy power. In developing the early emotional relationship between her and Oberon, the fairy king, Shakespeare seems to Burundi Population and Economy Essay have drawn on the world around him for models. Thus when Titania refuses to comply to Oberon's demands, he vows in pique and jealousy to streak her eyes with magic juice and make her full of fallacy, hateful fantasies (II.i.257-58). Moreover, moments before he carries out his threat, he becomes more explicit: Be it ounce, or cat, or bear, Pard, or boar with bristled hair,

In the eye that shall appear. When thou wak'st, it is thy dear: Wake when some vile thing is near. In fact, she does wake and call some vile thing her dear. How then do we interpret this? Is it the act of magic that forces her to fall in love with an ass, or at least with a character who has been temporarily transformed into an ass? Or are we to accept much of the criticism that suggests her erotic desire for the ass reflects her true nature�the nature of woman? Does Titania at this moment awaken from her dream, look at the monster, and desire him, as Jan Kott (228) suggests? Or is she basically still dreaming, hypnotized by a magic spell, never awakening until Oberon, later in the play, having achieved his purpose, removes that magic juice and Titania, chastened but also transformed from the outspoken character of the early scene, looks with loathing at the ass she embraced? Although her disagreement with Oberon lies at the heart of the play, Titania does not enter until the about The Destructive Power of Peer, beginning of the second act. Instead, Shakespeare first introduces other women more clearly caught in situations of pathetic in wuthering heights, political or social subordination than the fairy queen: specifically Hippolyta, the captive Amazonian queen; Hermia, the Essay Power Pressure, rebellious Athenian daughter; and Helena who, in her complete self-denigration, illustrates more indirectly the fallacy in wuthering, impact of patriarchal power on women.

Interweaving a third plot strand culminating in the performance of Pyramus and Thisbe, the comedy also provides a dual vision of women in patriarchy near the play's close. Parodying the tragic results of arbitrary parental power, this play-within-a-play in its metadramatic dimension offers insights into the mainly silent women, now married, in the audience. Artistically, the dramatist weaves a complex multifaceted plot that exposes the political and domestic challenges confronting women while creating situations that throw us into Burundi and Economy the world of comedy. On stage, music, dancing, and fairy magic, as well as the romping of the mechanicals, have masked this power struggle. In criticism, the lure of the poetry, the concept of topsy turvy, the illusion of fallacy in wuthering, dreams, and theories of mythology have often tended to blur any interest in the domination of women. Some critics have even proposed that the play was written specifically for channel history a wedding although none has yet been found. In fact, A Midsummer Night's Dream opens with anticipation of a wedding although it hardly reveals clearcut delight by both participants, Hippolyta and pathetic Theseus, the Duke of Athens, her captor but also her bridegroom: Now, fair Hippolyta, our nuptial hour. Draws on apace. Four happy days bring in.

Another moon; but 0, methinks, how slow. This old moon wanes! She lingers my desires, Like to a step-dame, or a dowager, Long withering out a young man's revenue. His reference to tunnel history happy days and the final fulfilling of his desire meets a noncommittal response from the bride. Acknowledging that four days swiftly pass, she indicates neither joy nor sorrow as she anticipates the night / Of our solemnities (10-11). Her ambiguous answer leads Theseus to pathetic in wuthering search further. About Of Peer Pressure? Still the host, if also the victor, he sends his master of the revels on in wuthering heights an errand to: Stir up the Athenian youth to merriments, Awake the pert and nimble spirit of mirth.

He would have his bride be merry. Continuing, he relies on a strange metaphor to reinforce his invitation to joyous celebration: Turn melancholy forth to is the best source to learn how an unfolded? funerals: The pale companion is not for our pomp. Why speak of funerals, even as a contrast to mirth, unless, perhaps a subtext exists here? Although pale companion defines the personified melancholy, contextually the words seem linked to Hippolyta, addressed in the very next word: Hippolyta, I woo'd thee with my sword, And won thy love doing thee injuries;

But I will wed thee in another key. Is he apologizing for his earlier role? She fails to reply. Pathetic Fallacy In Wuthering? His speeches suggest a shift in perception of woman from enemy to customer service lover to wife, with the implication of woman's submission to man. As courtesy books and religious tracts of the period indicate, that reference to love and marriage, while including mutuality, also meant acknowledging man's superiority. 1.

This first scene, particularly the opening entrance and the elliptical conversation between Theseus and his bride, have allowed for a range of interpretations on stage because of Hippolyta's silence. Directors and in wuthering heights actor-managers have long manipulated both the action and audience attitude toward a character or a situation during such silences. Writing of this phenomenon recently, particularly as it affects productions, one critic observed: Hippolyta's silence is open not because Shakespeare. lacked the skill to give her words but because he. did not exercise that skill, did not employ the power. of his poet's pen to give her silence precisely. fixed meanings and effects. (McGuire, 17) McGuire then cites examples from tunnel, four productions since 1959. However, Hippolyta's silence bothered actor-managers and directors well before mid twentieth century.

Because her role is so brief (she does not appear again until act 4) some, like David Garrick in The Fairies (1755), have cut her lines although she is physically present and fallacy heights combined Theseus's two speeches into a single long address. 2 Other eighteenth-century versions�like the two different Pyramus and Thisbes �are even skimpier, retaining only the about Film Analysis of American, comic characters and the fairies while jettisoning both Hippolyta and Theseus. Pathetic Heights? 3 Earlier, during the Restoration, comic interludes, separated from the larger overall scheme, and Essay about X abbreviated versions held the stage, culminating in the opera The Fairy Queen (1692), from which Hippolyta disappeared. 4. But even when a fuller text appeared, as it did in pathetic, Frederick Reynolds's 1816 production ( MND Prompt, 18), often called an Burundi Population and Economy, opera, alterations were made that softened the in wuthering heights, opening. Some occurred in the text itself, as, for example, when Reynolds not only retained the is the best source of historical evidence to learn about event unfolded?, conversation between the victor and fallacy heights his bride, but elaborated on it. In this version, Theseus's fourth act directive to Population Essay a forester to fallacy heights provide the music of the customer, hounds, as entertainment for Hippolyta (IV.i.110), is attached to that opening promise to wed her in another key (I.i.18), an attempt to strengthen the attractiveness of the bridegroom. 5. A far more recent example of Hippolyta's silence disappearing after Theseus's lines I woo'd thee with my sword, /.. . But I will wed thee in another key occurs in the 1935 Max Reinhardt film where he transposes the sequence of speeches.

In the fallacy, film, Theseus's lines precede, rather than follow, Hippolyta's single speech and therefore evoke her immediate and service soothing comment Four days will quickly steep themselves in night; / Four nights will quickly dream away the pathetic heights, time (7-8). How To Ethos? Nor can Reinhardt's film be looked upon as a single aberration. Rather, the German director provides an important link between stage and screen, having produced the play eleven times (beginning in 1905) prior to making the film in 1934. Free of the pathetic in wuthering, confining limits of the stage, he could, as film director, waft his viewers from Essay about Film of American History X, one location to another, jumping from in wuthering heights, a distant scene to a close-up of a particular character. In a section of the Burundi Population and Economy, film script later discarded, Reinhardt not only appears to in wuthering heights have been testing the breadth of this comparatively new medium but also offers insights into how to establish the finished film. The script also reflects the director's penchant for interpretation. In quick succession, it carries us aboard Theseus's ship, drops us in the land of the Amazons, and fallacy involves us in the battle between Theseus and Hippolyta through visuals that act as prologue to the text.

Broad shots of the sea and how to establish ethos the distant castle of the Amazons are interwoven with close-ups of the pathetic fallacy, two major figures. We read of Theseus standing on the prow of the ship, a glamorous figure in shining armor, against the dark background of the tunnel history, sail and of Hippolyta standing with a large wild dog at her side as she sternly watch[es] the approaching ship ( MND Warners, 1934). Pathetic Heights? 6 Stern Hippolyta is contrasted with glamourous Theseus. Analysis X? Finally, when he appears on land followed by pathetic fallacy heights his staff, she takes up armor and weapons and shoots at him. He, however, lower(s) his shield laughing, the implication being that fighting against a woman is laughable and that she, of course, will miss her mark. Essay Power Pressure? Eventually, they end up in pathetic fallacy, hand to hand battle, shield against shield, his shield flat upon hers, pressing it backward. The sequence continues: H[ippolyta].'s knee bending, interlocking with Theseus' leg Th[eseus].'s shoulder pressing H[ippolyta].'s shoulder downward. . . . H[ippolyta].'s head and shoulders going backward.

Th[eseus].'s arm across H[ippolyta].'s shoulder, knocks the helmet from her head. H[ippolyta].'s long hair falls about her shoulders. H[ippolyta].'s head bends backward. Th[eseus].'s head comes into picture triumphantly. 7. There we have the classic picture of the implied rape-seduction scene although as the opening of A Midsummer Night 's Dream clearly indicates, Theseus waits to is the source of historical to learn about event wed Hippolyta. Fallacy Heights? 8 What remains of this sequence is Population Essay a clue to a point of view and to the play's early moments. In fact, as it was actually made, Reinhardt's film opens quite differently with a general celebratory air as crowds sing and cheer the returning victor, their Duke Theseus, with his captive queen who rides with him, her arm entwined by a snake, indicating her heathenish origins. . . . Heights? Later that snake will merely be a pattern on a civilized dress she wears.

The strange look on her face during that opening entrance as well as her action in a subsequent scene probably owe their origins to Film Analysis of American History X this discarded script. In Wuthering Heights? In the later scene, dressed like a lady, Hippolyta sits alone in a large open colosseumlike semicircular area surrounded by channel tunnel history large columns (a Hollywood approximation of Athens) and looks wistfully across the water. Is she recollecting her former glory and pathetic heights envisioning again the burning towers she left behind? Moments later, Theseus enters and which is the best source of historical how an kisses her hand. . . Fallacy In Wuthering Heights? . Her reaction seems to suggest that she feels a thrill at his kiss. The rape-seduction undercurrent first suggested by their hand-to-hand battle when her helmet fell off is Essay about of Peer sustained here. In contrast, Liviu Ciulei's stage production, fifty years later, dramatically emphasized Hippolyta's role as a captive in that opening scene. Brought on stage where everyone is fallacy wearing white, Hippolyta enters in dark army garb.

Moments later, screened from audience view by history her captors, she is basically stripped, her clothes thrown into pathetic in wuthering heights the fire�all except her boots, which she confines to wear�perhaps symbolically suggesting that some remnant of her former self remains�a remnant that allows her to express her hostility, by stamping her heels as an accompaniment to establish ethos her sardonic laughter. Otherwise, she is pathetic in wuthering heights redressed in a white gown. Someone holds a mirror to her. X? She turns away. When Theseus enters, there is laughter at his lines, as he says, But I will wed thee in another key. Pathetic Fallacy Heights? She simply turns around, and sits, her physical stance exuding hostility. Many versions simply eliminated this character, thus excising the frame and problems of interpretation, but also insights into channel how one queen eventually handles the fallacy in wuthering heights, humiliation of defeat. In her next appearance she has adopted an attitude of congeniality, quipping with Theseus about his knowledge of hounds. Moreover, in her final scene she takes on an even more complicated role as the Burundi and Economy, only speaking woman in a world of men. Out of the theater, the pathetic in wuthering, Hippolyta and Theseus relationship evoked still another reaction. Margaret Fuller, the midnineteenth-century American feminist essayist, in and Economy, her outspoken work Woman in the Nineteenth Century, wrote: Only a Theseus could conquer before he wed the Amazonian queen.

Fuller compared Theseus to Hercules, who wished rather to fallacy in wuthering rest with Dejanira, and received the poisoned robe as a fit guerdon.9 Whether or not Fuller had the channel history, historical story in mind, or Shakespeare's play, she nevertheless does offer an alternative perspective on the play's first nineteen lines. Hippolyta then fades into the background as another woman enters who must wrestle with her fate. Hermia is dragged in by her angry father, Egeus, who would have the laws of Athens enforced against her because she wishes to fallacy marry Lysander, the Essay Analysis X, man of her choice, rather than Demetrius, her father's choice, although, as most critics agree, little difference exists between the suitors. As Muriel Bradbrook has observed, Shakespeare contributed to the development of pathetic fallacy in wuthering heights, comedy by breathing life into his characters through language. She compares this gift to the introduction of perspective in painting (89).

Accepting her analysis, we realize that the similarity between the young men is and Economy intentional and meant to highlight Egeus's unreasonableness. I am . as well deriv'd as he, protests Lysander, the suitor who is belov'd of beauteous Hermia: As well possess'd; my love is more than his; My fortunes every way as fairly rank'd. But the father refuses to pathetic in wuthering listen, insisting that he may dispose of his daughter as he wishes, either to this gentleman [Demetrius] / Or to her death (42-44). About Film Analysis Of American X? Nor does Theseus, who only moments earlier had pledged to wed Hippolyta in another key from that of conqueror, offer much hope to the young woman. Supporting her father, the pathetic in wuthering heights, ruler warns of the price of disobedience: Either to die the death, or to abjure / For ever the society of men (65-66). Life in channel history, a nunnery, a retreat for Isabella in Measure for Measure, has little appeal for Hermia.

It denies her normal sexuality. Moreover, she is pathetic fallacy in wuthering heights a young woman in love. However, Theseus, the voice of political power, continues, unconcerned about her reactions. Spelling out the meaning of the about Analysis History X, law, he details the young woman's choices: Therefore, fair Hermia, question your desires, Know of your youth, examine well your blood, Whether (if you yield not to your father's choice) You can endure the livery of a nun, For aye to be in fallacy in wuthering, shady cloister mew'd,

To live a barren sister all your life, Chaunting faint hymns to customer the cold fruitless moon. Barren, cold, and fruitless describe the fallacy in wuthering heights, sexual denial she must confront shouldz she disobey her father. Theseus presents a frightening alternative for her. Taking the father from Roman comedy, Shakespeare creates a comic scene with undercurrents of possibly tragic dimension. But sections of Population and Economy, this speech as well as of fallacy, Egeus's complaints against Lysander disappeared from the stage. Gone are such accusations against Burundi and Economy Essay Lysander as thou has given her rhymes, / And interchanged love tokens; sung at pathetic her window verses of feigning love; seduced her With bracelets of thy hair, rings, gauds, conceits; and, finally, Turned her obedience, which is how to due to me, / To stubborn harshness. 10 Only Egeus's demand for the privilege of the father remained�the right to dispose of her as he saw fit or to call for the death penalty. Although retaining this harsh sentence, those who excised lines had effectively diminished the speech's intensity through abbreviation.

Gone too from the in wuthering heights, stage are the how to ethos, closing lines of Theseus's admonition to Hermia defining the obligations of a daughter: To you your father should be as a god. One that composed your beauties; yea, and one. To whom you are but as a form in wax. By him imprinted and within his power. To leave the pathetic, figure or disfigure it.

The image here, specifically the threat to disfigure, disturbed critics and of American History editors as early as the pathetic in wuthering heights, eighteenth century. The Destructive Power Of Peer? William Warburton, for example, sought to change the fallacy in wuthering heights, last line, finding Theseus's statement inappropriate for comedy. In contrast, Samuel Johnson, always one to favor the text over any change of language, defended the word although still bothered by which is the source of historical evidence to learn unfolded? the meaning: I know not why so harsh a word should be admitted with so little need, a word that, spoken, could not be understood, and pathetic fallacy of which no example can be shown. Customer Service? The sense is plain, you owe to your father a being which he may at pleasure continue or destroy. (Yale Johnson, VII, 136) If that rather chilling ultimatum contributes to the portrait of a powerful ruler asserting the ideas of his society, stage productions, by omitting the last three and a half lines of Theseus's speech, frequently altered the image. Heights? In fact, some stage versions retained only the preceding line, Theseus's far more gentle, What say you, Hermia? Be advis'd, fair maid (46). 11 Because the how to, interaction of characters helps define them, a weakened portrait of Hermia results from the pathetic fallacy in wuthering heights, combination of excisions in Theseus's and Egeus's speeches.

Facing less opposition, she need be less defiant. Or, looking at it another way, we see her as a less interesting character than the sharp, courageous young woman Shakespeare begins to develop here. Illustrating just how complex this text is and how it may be read and reread for the stage, some twentieth-century directors have translated the history, relationship between the two women at this moment on the stage as one of bonding: Hermia, who faces an pathetic in wuthering, anguished choice, and Hippolyta, who stands on the sidelines, listening. And here too promptbooks offer evidence. Beerbohm Tree's, for example, indicates the Amazonian queen's sympathy for the younger woman by directing: Hyp[polyta] leads Herm[ia] to seat ( MND 7, interleaf facing p. 4). In Liviu Ciulei's production, the Burundi and Economy Essay, bonding takes another form. Since Hippolyta's strong personality had been developed at the play's opening, here she sneeringly laughs at Theseus's ultimatum, a clear comment on pathetic his actions and on Essay The Destructive the irony of his earlier words to her, But I will wed thee in another key (I.i.18). More humorous in approach and less sharply disapproving is the direction in the Peter Brook prompt: All bow their heads (12a). Brook dramatizes the rift between Theseus and Hippolyta by having them exit to opposite sides of the stage, pausing at doors to look at each other. These twentieth-century directors found their cues in the text and responded, not with excision but with a new awareness of the play's subtlety and of the possibilities that staging might permit.

If Hermia's tragic fate is briefly understood by pathetic in wuthering heights Hippolyta, the play quickly moves back to service the world of comedy as the two lovers left alone on pathetic in wuthering stage not only bemoan their fate but also engage in a conversation in which neither is hearing what the channel tunnel history, other says. In Wuthering Heights? Comforting his love, Lysander cites historical parallels of similarly fated lovers; Hermia, not listening, overflows with anger and frustration: Lys The course of true love never did run smooth; But either it was different in which how an unfolded?, blood� He begins, but she interrupts: Alternating lines, they continue: Lys Or else misgraffed in respect of pathetic, years� Her O spite! Too old to be engaged to young!

Lys Or else it stood upon the choice of friends� Her O hell! To choose love by another's eyes! The stichomythic pattern of the service, duet captures the intensity of the lovers' feelings, but also the pathetic fallacy, humor of their reactions as each finds solace from a different verbal outpouring. Nevertheless, the exchange disappeared from acting texts for over a hundred years. 12 Although the The Destructive Pressure, excision at pathetic fallacy heights first seems inexplicable, George Bernard Shaw's comments on an Augustin Daly production offer a partial answer. Unaware of how much Daly's version owed to his predecessors, and indignant over his mauling of the text, Shaw attributes the excision to Daly's uncomfortableness with Hermia's Oh hell, then notes the impact of the cuts.

Humorously he writes: Mr. Daly, shocked, as an American and an Irishman, at a young lady using such an expression as Oh hell! cuts out the whole antiphony, and leaves Lysander to deliver a long lecture without interruption from the lady. ( Our Theatres, I, 180-81) This long lecture without interruption also further denies audiences the partial portrait, later to be developed, of Hermia. Unsurprisingly, the lines disappeared from the Garrick-Colman and Reynolds operatic versions since these works concentrated on songs loosely connected with one another by speeches, rather than on short exchanges. But the absence of Hermia's frustrated expression from the later stage versions is surprising.

13. Was her Oh hell too forthright for the sensibilities of all those audiences, as Shaw implied in blaming Daly? A glance at history the Variorum, strong in nineteenth-century criticism, suggests other, literary reasons, as well. Coleridge, for example writes: There is no authority for any alteration,�but I never can help feeling how great an improvement it would be, if the two former of Hermia's exclamations were omitted�the third and only appropriate one would then become a beauty, and most natural. Fallacy? (Coleridge [101], quoted in the Variorum, 18)

Rather than denigrating that last line with its Oh hell, Coleridge praises it. Obviously, Hermia's annoyed exclamations bothered him more than the simple comment on the unfairness of choosing love by another's eyes. Which Is The Source Of Historical To Learn About How An Event Unfolded?? Less generously, Halliwell, another critic of the time, believed Lysander's speech would be improved by fallacy in wuthering heights the omission of all of Hermia's interpolations (18). Moreover, to support his opinion, he cited the Essay, editions of Dodd and Planche which actually deleted Hermia's lines. 14 Once again, as so often happens, literary criticism correlates with contemporaneous staging. Why did her short speeches offend so? Was Lysander's single uninterrupted speech more appropriate?

But then how could his speech help project Hermia's personality as it does in the original exchange? Stylistically, those clipped single lines suggest the exasperation and intensity of the young woman we are to in wuthering heights meet later on in the forest. Moreover, the patter, or duet, of these two lovers complements the long heavy speeches of Egeus and Theseus, taking us back into the comic, romantic world of the play. As critics have often noted, conflict between father and daughter arises here as it does in so many other of which best of historical evidence to learn about event, Shakespeare's plays, and here too the strength of the in wuthering, daughter is created by showing her resistence to her father's pressure; her lines in this duet are important. Shaw's review of Daly's production suggests a further effect of the alternating lines spoken by the two star-crossed lovers; he believes the alternating pattern sets the whole scene throbbing with their absorption in one another (133).

It also explodes with their differing responses to the same situation. Although a strong, self-confident, if frustrated, young woman emerges through the Film Analysis of American X, language here, not all of her lines reinforce this portrait. In Wuthering Heights? In fact, her subsequent speech advises, Then let us teach our trial patience (152). Between her two speeches, she has listened to Lysander's litany of lovers who, throughout history, have faced problems. In the cut acting texts I have examined, the line advising patience always remains.

What a different Hermia we experience. The language has been modulated, the humor of the exchange lost, and the outspoken young woman tempered. Artistically, too, a change occurs. Channel History? No verbal echoes will sound for the audience when, a few lines later, Hermia and her best friend, Helena, indulge in a similar pattern of alternating lines. Nor will the audience hear how their conversation mimics and yet differs from that of the lovers. The repetition of the pattern, comic in its shift of topic, also defines and contrasts the young women.

Helena pines for Demetrius. Hermia would most willingly relinquish him. Unlike the earlier duet, this one concentrates on each young woman's attitude towards Demetrius. Rhyming couplets mark their exchange of confidences, and again acting texts excise: Her. I frown upon him; yet he loves me still. Hel. O that your frowns would teach my smiles such skill! Her. I give him curses; yet he gives me love.

Hel. O that my prayers could such affection move! Her. Pathetic Fallacy In Wuthering Heights? The more I hate, the more he follows me. Hel. The more I love, the more he hateth me. Differing in their appeal to Demetrius, the which is the best source evidence to learn about how an event, women differ in their sense of self, Hermia confident with two adoring males, Helena disconsolate that the youth she loves has eyes only for her friend.

Physically they differ too: Hermia being small and dark, at one point called puppet (III.ii.286), dwarfish (295), and an Ethiop (257); Helena being tall and lanky�a painted may-pole (296). She is also probably fair. Throughout this scene, Hermia exhibits a sardonic sense of humor, not only in her exclamations after her father leaves with Theseus, but even in her exchanges with her less confident friend. And once again, some texts delete Hermia's attempt to console her friend: Before the pathetic fallacy, time I did Lysander see, Seem'd Athens as a Paradise to me; O then, what graces in my love do dwell,

That he hath turn'd a heaven unto a hell! Although meant to how to ethos emphasize the problems Hermia faces, the lines referring to Lysander's graces making Athens a hell also have a built-in irony. Surely a lover's graces should turn a hell into heaven rather than the opposite. Although differing from Theseus's comment to Hippolyta on altering their relationship from excombatants to lovers, Hermia's words here suggest a similarly thin and tenuous line between heaven and hell, springing from pathetic fallacy, love. Of the exchange, Samuel Johnson wrote:

Perhaps every reader may not discover the propriety of these lines. Hermia is about Film of American History X willing to comfort Helena, and to avoid all appearance of triumph over her. She therefore bids her not to consider the power of pathetic heights, pleasing, as an advantage to mcdonalds customer be much envied or much desired, since Hermia, whom she considers as possessing it in the supreme degree, has found no other effect of it than the loss of happiness. (Johnson, The Plays, 1:98) The comment also appears in a footnote in the Phelps promptbook (MND 13, 314). Since this was an 1805 printed text used for an 1861 production, it suggests that the lines were not only challenging in the eighteenth century but continued to be relevant in the nineteenth. Pathetic Fallacy? When they disappear, as often occurs, they erase a problem for ethos interpreters, but also an fallacy, insight into Hermia's capacity for humor and sympathy. To further comfort Helena, Hermia and Lysander reveal their secret plan to escape Athens. Customer Service? In soliloquy at the scene's close, Helena confesses her response. She will divulge the news of their flight to Demetrius, hoping to win his favor.

Bemoaning her fate in rhymed couplets, she begins: How happy some o'er other some can be! Through Athens I am thought as fair as she, But what of that? Demetrius thinks not so; Love looks not with the eyes but with the mind; And therefore is wing'd Cupid painted blind. But Helena does not think herself as fair as Hermia. In Wuthering? Thus this reference to Cupid suggests a rather confused young woman.

Continuing for twenty-six lines, the soliloquy ranges from analyses of love to Essay Pressure a discussion of Hermia's strengths to a lament for the speaker's own plight: For ere Demetrius look'd on pathetic fallacy in wuthering Hermia's eyne, He hail'd down oaths that he was only mine; She therefore resolves, I will go tell him of fair Hermia's flight (246), expecting a kind response. Here too excisions mar the portrait. Sometimes the lines are absent from printed acting versions; sometimes sections are crossed out or blocked for cutting. 16 As a result only the bare plot outline of this section remains, subtleties in characterization being lost. Later, in the forest, the dramatist further develops the young women's personalities. There the popular Hermia, speaking with confidence, gently reprimands her lover, while the rejected Helena subjects herself to further humiliation, frustratingly following the man she loves. Hermia's reprimand comes after long and fruitless traveling through the woods with Lysander. Escaping Theseus's ultimatum, they seek refuge with the is the source evidence to learn about event, young man's aunt, beyond the range of Athens' law.

Weary with wandering, Hermia would rest; Lysander then admits he has lost his way in the enchanted forest: We'll rest us, Hermia, if you think it good, And tarry for the comfort of the pathetic heights, day. Appreciating the idea, she then counters: Be't so, Lysander.

Find you out a bed; For I upon mcdonalds customer this bank will rest my head. But he would have it otherwise. Heights? In fact, the lines indicate the action that has just occurred on channel stage as she chooses her sleeping site. In Wuthering Heights? A minidebate then ensues: Lys. One turf shall serve as pillow for us both, One heart, one bed, two bosoms, and one troth. Her. Nay, good Lysander; for my sake, my dear,

Lie further off yet; do not lie so near. The adapters once again cut. Garrick's abbreviated musical version provides a record of the about, cuts in this speech, and, to some extent, sets the pattern for what subsequently occurred. The first eight lines of the pathetic fallacy, exchange between the how to establish, couple are retained (lines 35-42), followed by heights a duet (25). Then come lines not Shakespeare's, but believed to be composed by History Garrick, which appear in a handwritten insert ( MND 6). 17 In that version Hermia exhibits proper womanly fear: Now my Lysander, on that bank repose, That if perchance my woman's fears shou'd seek. Protection in thy love and fallacy heights brav'ry, I may not call on love and thee in vain.

( MND 6, insert 21; Garrick, 25) Lysander responds with the service, promise of protective care. The Garrick lines also appear in the Reynolds printed text ( MND 8, 18). Later the pattern of excision continues although without the pathetic fallacy in wuthering heights, new, added material. The musical Reynolds version ( MND 8, 18) contains no hint of her asking him to move.

In most staged versions, however, her request that he find another bed meets simple acquiescence. Essay About Film Analysis X? Usually gone are his lines One turf shall serve as pillow for us both / One heart, one bed, two bosoms, and one troth (41-42) along with his attempt to convince her of the reasonableness of his proposal. Gone too is Hermia's perceptive Lysander riddles very prettily. . . . Fallacy Heights? / But, gentle friend, for how to love and courtesy, / Lie further off, in humane modesty (53, 56-57). Pathetic In Wuthering? 18 Amusing, her response in mcdonalds, Shakespeare's play highlights her realistic awareness of the physical attraction between lovers. Their debate is reminiscent of Juliet's What satisfaction canst thou have to-night? ( Romeo and Juliet, II.ii.126) when Romeo protests, O, wilt thou leave me so unsatisfied (125). In both cases, the dramatist suggests that confidence in the loyalty of her lover does not blur each young woman's recognition of the reality of the sexual drive. Unlike Hermia, her friend Helena nurtures no such fear. Groveling for some affection, she trails Demetrius. I love thee not; therefore pursue me not (188), he dictates.

But Helena, like Emilia in Othello so many plays later, has divulged the secret of pathetic in wuthering heights, Hermia and Lysander's flight in order to win a boon: I am your spaniel; and, Demetrius, The more you beat me, I will fawn on you. Use me but as your spaniel; spurn me, strike me, Neglect me, lose me; only give me leave, Unworthy as I am, to follow you.

Nor do Demetrius's threats to mcdonalds customer service her virginity (217-19) bother her. Rather they allow her to assert her confidence in fallacy, his character. But those lines along with Helena's reply beginning Your virtue is my privilege (220-26) and then her Run when you will . . . (230-34) disappear from the stage in Essay about Film X, many promptbooks. Pathetic Fallacy? 19. By cutting Helena's lines here and Burundi Essay elsewhere, those versions tended to pathetic fallacy in wuthering heights obscure the perceptiveness of Burundi, Shakespeare's sketch of pathetic in wuthering heights, a young woman who is filled with self-doubt and self-hatred. 20 In fact, Shakespeare's insight here, although theatrically developed and placed in a comedic setting, has a contemporary counterpart in Kate Millett's more serious analysis of the lack of self-love that flourishes in women and minorities. She describes this as. group self-hatred and self-rejection, a contempt both for herself and for her fellows�the result of that continual, however subtle, reiteration of her inferiority which she eventually accepts as a fact. Population And Economy? (56) Helena appears to have internalized this attitude.

In an excellent essay on the play, David Marshall asks a relevant question concerning Helena. Are we to be pleased by the success of Helena's subjection of herself? (548), he wonders, challenging the idea that this is pathetic fallacy in wuthering heights one of Shakespeare's happiest comedies. 21 Actually, by the time we reach this section of the play we become aware of the Film Analysis History, various ways in which the pathetic fallacy in wuthering heights, women have been dominated by men�bridegroom, father, ruler, and rejecting suitor. However, we have not yet met the strongest and seemingly freest woman character in best about event, A Midsummer Night's Dream: Titania, the fairy queen, who so delights us at her first entrance and later raises questions about women's roles. Pathetic Fallacy In Wuthering? Is she the victim of male power, male irrationality, trickery, or jealousy? Is she merely a fairy? Or does she illuminate the feelings and mcdonalds service attitudes of women reacting to dominating male behavior?

At its opening, act 2 stresses the conflict between her and Oberon, the fairy king. Quickly we learn the source of their dissension: control over an Indian boy at the time in her possession but desperately desired by Oberon. Representatives of king and queen, Puck and a fairy quickly sketch in pathetic in wuthering heights, the conflict, each hoping the about The Destructive, other party will relinquish the field. But room, fairy! here comes Oberon (II.i.58), announces Puck. And here my mistress.

Would that he were gone! (59) retorts the fairy. In Wuthering? And then, king and queen enter. Do they make a grand entry from and Economy, either side of the stage, magically from the air, with a train of followers, or simply alone? The scene has allowed for a tremendous range of interpretations, some concentrating on the two principals, some surrounding them with troops of followers, many including the Indian Prince. Nonexistent in the play and seeming to symbolize Oberon's drive for heights dominance over about The Destructive Power Pressure, Titania�or perhaps his jealousy of in wuthering, her�the prince materializes into an actual character. Not listed in the dramatis personae, he takes on a life of his own in nineteenth- and early twentieth-century productions, including the Reinhardt film. Although mystery surrounds him in Burundi Population, the text�we don't know his age, his size, or his exact identity, except as he is described variously by Puck, Titania, and Oberon�he acquires theatrical substance on heights stage, frequently wearing a turban or carried in on a golden cushion.

22. Suggesting the importance of customer service, this character to the relationship between the fairy king and pathetic fallacy in wuthering queen are the stage directions written in pencil on the interleave to Kean's prompt: Fairies enter dancing round Titania. 2 Bodies of Oberon's Train, � enter separately, . . . then 2 parties of The Destructive Power Pressure, Titania 's � chorus first, who make an avenue of boughs, then a second troop of smaller fairies trip down through them, � on tiptoes � and run back thro avenue, � down L[eft] then round avenue and follow Titania with Indian Boy tripping down through avenue, � Oberon entering same time down slote, R[ight] (MND 9, interleaf facing p. 21). In another production, a dance of twelve fairies precedes Titania's entry in a car drawn by swans and accompanied by the Indian Prince. Paralleling their entry, Oberon descends to meet them ( MND 20, verso of interleaf facing p. 12). A sketch indicates the placement of fairies, with Titania, Oberon, and the Prince at center front. The presence of an actual prince also allows the pathetic in wuthering, director editorial commentary as he emphasizes the different functions of men and ethos women, father and mother. Thus Titania is usually portrayed in a maternal relationship with that young child whereas Oberon is presented as giving the youth space and heights training for which source to learn how an event manhood. Consider, for example, the Reinhardt film where the young prince is practically smothered by attention from heights, Titania's fairies and is the best source of historical to learn about how an unfolded? elves whereas later he is free to fallacy heights accompany Oberon.

Even in criticism, this reference to the prince colors the perspective. C.L. Barber, for example, writing of Titania's later development, considers her giving up of the which best to learn event unfolded?, child as a maturing process. But one may question whether or not it is the pathetic, child, as an actual person, or the symbolic importance of the debate between Titania and Oberon and its later outcome that is really at issue in ethos, the play especially since the prince's exclusion from the text helps stress the equality between king and queen. Before turning to their actual verbal sparring, I want to cite other theatrical factors that further vitiated the strength of the debate, attracting eyes to the stage and pathetic heights ears to mcdonalds customer the music rather than attention to the words. I refer to the persistence of lavish musical accompaniments to productions. In fact, whether it was coincidence or not, the mid-nineteenth-century productions�beginning with that of Elizabeth Vestris and Charles Mathews in 1840, which included Mendelssohn's music�were highly successful and pathetic fallacy in wuthering heights included more of the text than had previously appeared on stage. Discussing that production, one commentator suggested, It would be an unpardonable mistake to mcdonalds customer any future performances .. . to omit . . . Mendelssohn's music ( MND. In Wuthering Heights? *NCP 18�, p. Burundi And Economy Essay? 6). 23 In Reinhardt's film, fairies, accompanied by the orchestral sounds of Mendelssohn's music, dance in on a cloud that spirals around a tree. Later productions, like that of the famous Old Vic Company in 1954 that featured Robert Helpmann and Moira Shearer, both professional dancers, as Oberon and Titania, also testify to the pervasiveness of a musical tradition and pathetic in wuthering the emphasis on dance for the two principal fairies. . . . Finally, along with the music and Essay about of American History the young prince, one stage property worked its magic on the audience: the mushroom from which Puck eventually emerged.

The young Ellen Terry as Puck, for example, lay hidden in such a mushroom in fallacy heights, Kean's production, springing into tunnel history view as the mushroom rose. Pathetic Fallacy In Wuthering? Following Kean's lead, Daly's Puck, hidden by a mushroom, was discovered when a fairy's wand brushed a plant (1888, MND 5, p. 32). Featuring complex machinery, Burton's production too had Puck spring from a mushroom that rose from a trap then sank back down ( MND 21, p. 15 and facing interleaf). History? 24 The rival Barry production featured a different but equally enticing, entry for Puck: A romantic Landscape, through which is heights seen a stream of water. (By moonlight.) A bush in the c[enter]. MUSIC � A troop of Essay about X, Fairies are discovered grouped. A Fairy touches the bush with her wand, it opens and Puck comes out; the bush disappears through the stage. Supplementing this text, the directions on the interleaf specifically place Puck inside the flower piece which then changes to a peacock. Accompanied by music, the first fairy trips on pathetic in wuthering heights from [the side entrance] . . . Essay About The Destructive Power Pressure? round the flower waving the pathetic heights, wand. Channel Tunnel? The flower opens and discovers Puck in a Peacock Car (with wand).

More music sounds as Puck descends from the car. Eventually, a trap bell rings, the flower closes then descends into a trap (interleaf facing p. 11). I cite these extensive productions because they characterize what occurred on stage once the fuller text was presented. Whether this was because of the accompaniment of Mendelssohn's music or because the combination of the text with that music appealed so strongly to Victorians we do not know. Clearly, however, language and the verbal conflicts between men and women characters, whether fairy or not, were overshadowed by productions. Pathetic Heights? Nor do the many references to a full text, as in about Film of American, the case of Phelps's production, which boasted of having omitted only three hundred lines, alter the general impression of the acted play. Pathetic In Wuthering Heights? If these varied staged versions seemed to promise new perspectives, they failed to deliver; they still concentrated on the magic and wistfulness of the about of Peer Pressure, dream. Moreover, extant promptbooks testify to a disproportionate number of pathetic fallacy in wuthering, excisions of lines that blur Shakespeare's portrayal of the inequities that women faced whether in the real or unreal fairy world. For it is in how to establish ethos, the unreal world of the fairies that the dramatist most clearly questions the patriarchal structure.

Despite the extravagance of their entrances in pathetic fallacy in wuthering heights, different productions, Oberon's and Titania's opening lines sound more like those of humans than of fairies or otherworldly beings: Ill met by moonlight, proud Titania (60), asserts proud Oberon. Of American History? We then encounter the fallacy in wuthering heights, queen of the fairies whom Shakespeare has endowed with dramatic and evocative poetry. Unlike the other women thus far presented, Titania has a sure sense of tunnel, self-worth and an independence of spirit. Hippolyta was presented as defeated but enigmatic, Hermia as a challenge to pathetic fallacy heights the rules of her society, and ethos Helena as a self-doubting person, questioning her own worth. But in pathetic fallacy in wuthering, Titania Shakespeare offers a portrait of a queen, someone reliant on no one but herself for her power. Service? Her answer to Oberon in her opening lines rings with contemporaneity: What, jealous Oberon? Fairies, skip hence� I have forsworn his bed and pathetic fallacy heights company. Why need a fairy assert she has forsworn another fairy's bed? Since when do fairies discuss such mundane matters?

Moreover, Oberon carries the discussion one step further by clarifying their relationship with one another: Am not I thy lord? (63) he asks. Then I must be thy lady (64) she asserts before accusing him of infidelity with various women. In his recent book Road to is the best of historical about unfolded? Divorce: England 1530-1987, Lawrence Stone notes that until recently�but particularly in fallacy in wuthering heights, the early period covered by this book�all women of childbearing age were in a state of constant anxiety about their bodies. They worried about whether they were pregnant (8) and about such things as the possibility of dying in childbirth, of coming to best of historical how an unfolded? term, and of having a well child. Titania, being a fairy, has no such worry although her conflict with Oberon has to pathetic do with the child of establish, a mortal who died in childbirth. His mother was a vot'ress of my order (123), explains Titania. For her sake do I rear up the in wuthering heights, boy; / And for customer her sake I will not part with him (136-37). Moreover, in recent studies of women's writings of the period, we become aware not only of women's quest for divorce and of the problems they faced in pathetic fallacy heights, confronting their husbands but also of the real fears attending childbirth (Otten).

Titania's opening lines to Essay Power Pressure Oberon may well have had specific resonances for Shakespeare's audience. The phrase separation from bed and pathetic fallacy heights board was applied at the time to a legitimate form of is the best source evidence about event unfolded?, divorce, whether as'de facto' grants of permission to remarry or merely following church ordinance that allowed a form of fallacy in wuthering, divorce but forbade remarriages (Stone, L., 304). Although Titania, of course, had no particular plans to remarry, her language mimics that of the time, with, however, a twist�an assertion of her rights vis-a-vis an adulterous husband. Nor does Oberon's listing of her less-than-faithful exploits affect her decision to foreswear his bed and Pressure company. According to Stone, the pathetic fallacy in wuthering, pattern changed in Burundi Population and Economy, the 1640s and 50s, which may explain an altered reaction to this section of text. He writes: The 1640s and pathetic fallacy in wuthering heights 1650s were a period of disorganization and institutional chaos in the church. How To Ethos? The ecclesiastical courts ceased to function in the early 1640s and in 1646 church control over marriage was abolished, authority being shifted in theory to secular authorities. But the bulk of the population seems either to have found ways to be married clandestinely by the old rituals of the Church of England, or were married by non-conformist clergy of their own religious persuasion, or reverted to marriages by verbal contract. Pathetic In Wuthering Heights? As a result of this confusion, when the ecclesiastical courts were restored in Essay about of American X, 1660 they found themselves faced with an unprecedented torrent of heights, petitions for separation which had been pent up for History X over a decade. (308) Interestingly, what Shakespeare is doing here is using the vocabulary of divorce without presenting the actual situation.

Moreover, unlike the usual separation between husband and wife of the time, this separation is instituted by the wife. The dramatist then interweaves the experience of mortals, specifically women, with that of the fairy queen. During the nineteenth century, the line referring to fallacy in wuthering bed and company was often deleted. It disappeared from the Charles Kean printed text ( MND 9) and was crossed through in the Beerbohm Tree prompt ( MND 7). Which Is The Best Source Of Historical Evidence How An Event Unfolded?? On the other hand, Garrick and Colman retained this line ( MND 19) although slashing so much material on either side to make room for musical airs that the pathetic in wuthering, line's implications probably had little effect on channel tunnel history the audience.

In that text, the accusations by fairy king and queen refer merely to their specific favorites within the context of this play�Titania's preference for Theseus and pathetic fallacy heights Oberon's for of American the bouncing Amazon (70). However, Titania's full speeches, although couched in fairy terms, offer insights into fallacy the imperfect relationship between men and women. Describing the conflict between her and Oberon, she begins by mentioning jealousy: These are the forgeries of jealousy; And never, since the middle summer's spring,

Met we on hill, in dale, forest, or mead, By paved fountain or by rushy brook. Or in the beached margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturb'd our sport. The speech continues for thirty-six lines, but has usually been reduced to six, or even four. The remnant simply accuses Oberon of disturbing the gatherings of the fairies with his brawls whenever the two have met (87). As critics have frequently noted, the speech gives us a sense of Titania's breadth and customer service sensitivity, connecting her with an Eden or a classical world of the gods, or even with nature deities of pathetic fallacy in wuthering, rustic sixteenth-century England. She refers to the effect of the dissension between her and Oberon on the elements, The ox hath . . . stretched his yoke in Essay about The Destructive Power Pressure, vain, / The plowman lost his sweat . . . / The fold stands empty in the drowned field / And crows are fatted with the murrion flock (93-97). Pathetic Fallacy In Wuthering? Internal rhyme, the The Destructive Power, repetition of sounds, and the development of images characterize the pattern.

Her concern for the maintenance of the rhythms in the animal world extends to the human world as well. She decries the effect of their arguments on the normal flow of the fallacy in wuthering heights, seasons and on human life. The human mortals want their winter here; No night is now with hymn or carol blest. . . Burundi Essay? The spring, the pathetic in wuthering heights, summer. The childing autumn, angry winter, change.

Their wonted liveries; and Population Essay the mazed world. By their increase, now knows not which is which. Images of nature's gifts and pathetic fallacy in wuthering blights vie with one another, investing her speech with cosmic concerns beyond merely trading accusations with Oberon. When, later, she explains why she will not relinquish the child, she describes his mother, with whom she laughed and gossip'd. 25 Titania's lines�we have laugh'd to see the channel history, sails conceive / And grow big-bellied with the wanton wind (128-29)�suggestively describe the pathetic fallacy in wuthering heights, pregnant woman herself. Which Of Historical Evidence To Learn About? They too disappear, the verbal inferences coming too close to nature, pregnancy, and women's physical appearance. 26 Whittling down the lines narrows this portrait of Titania; she then more closely parallels Oberon who in pathetic, this section has only brief comments. 27 Her short complaint about his disturbing their games is countered by his insistent query Why should Titania cross her Oberon? / I do but beg a little changeling boy, / To be my henchman (119-21). Reinhardt's film cuts even further. None of Burundi and Economy Essay, Titania's lines remain except her response to Oberon's request for pathetic in wuthering heights the changeling boy: Set your heart at rest; / The fairy land buys not the which best evidence about, child of me (121-22).

The scene's focus changes to the Indian boy. Even when they retain practically all of the text, however, productions may alter the power of Titania's lines by stage directions, as did Peter Brook's in the wonderfully unisex-looking work. The performance had an exuberance and originality that captivated audiences. It also captured some of the attitudes of the 1960s and 1970s, as a glance at the Authorized Acting Edition testifies, raising questions about the Oberon-Titania relationship that one might even have missed in watching the play. Here, for example, is pathetic fallacy heights a detailed description of what went on during this scene of their first meeting which begins with Titania's crossing down stage center and establish ethos kneeling (23a) before Oberon when she refers to their brawls. Later during the speech, Oberon goes down behind Titania (23a) and, as the directions continue, she gets up, hands out. Oberon puts hands around her waist with wand (24a). In talking about the hoary headed frosts she puts her hands over Oberon's. And at the lines and pathetic fallacy heights the mazed world / by their increase now know not which is which (24b) the stage direction reads, Oberon's hands on Titania's breasts, with wand. Burundi Population Essay? Titania's arms out fallacy heights (24a). As the scene continues, one sees more of physical sexual interaction between them until finally at her decision not to give him the boy, she pushes Oberon away.

The interpretation seems unrelated to the language but rather offers a subtext contradicting her assertive speeches. The comments accompanying the establish, promptbook offer a partial explanation of this treatment of Titania. Brook had chosen to double the pathetic heights, roles of Titania/Hippolyta and mcdonalds customer Oberon/Theseus. Alan Howard, who played Oberon/Theseus, discusses the pathetic fallacy heights, point of which is the evidence, view towards the relationship between his roles and the joint Titania/Hippolyta role: At the beginning of the play, Theseus/Oberon is worried about the moon being gone and in wuthering heights that his desires are, in about The Destructive of Peer Pressure, consequence, bottled up. And Hippolyta/Titania says: Don't worry.

Another moon will come in. Pathetic? Wait, and it will all be fine again. Her kind of customer, intensity is pathetic toward her knowledge of herself as a woman . . . in terms of whatever it is that women do that men don't . Theseus/Oberon has somehow got to explain his case. Mcdonalds Customer Service? (41, emphasis added) Howard's comment indicates a perception of Titania as inexplicable other although her language clearly expresses her dismay at the destructiveness of their conflict. Oberon simply isn't listening. What is exciting about the pathetic in wuthering, play, however, is the way Shakespeare seems to be applying what he has been hearing, or observing, in the real world to channel history this fantasy couple, embedding a contemporaneity within an otherworldly framework. 28. After her departure, Oberon vows, Thou shalt not from this grove / Till I torment thee for this injury (146-47), indicating a vindictiveness as well as a desire to exert power over her. Fallacy In Wuthering? And here, perhaps because of the implication of equality suggested first by the conversation between the fairy and Puck and later by which of historical evidence unfolded? the confrontation between Oberon and pathetic Titania, we are unprepared for the trick he plays on her.

Shakespeare's audience, however, may well have expected it, since Titania was behaving like the rebellious, dominant, independent wife who, according to Stone, might be breaking the code of the social group concerning sexual or power relations within the mcdonalds, family (3). In Wuthering Heights? Thus a husband-beating wife, a passively henpecked husband, a couple married despite gross disparities in age, a cuckold, an adulterous wife . . . were all liable to which of historical evidence to learn unfolded? be treated to . Pathetic Fallacy Heights? . Channel Tunnel? . humiliating demonstrations of fallacy in wuthering, public disapproval (3). Titania suffers just such a humiliating demonstration later on when she falls in tunnel history, love with the first thing that she sees upon awakening, a mortal with an ass's head�the translated Bottom. By endowing the situation with such human qualities and giving Titania wonderful lines, however, the dramatist may also be questioning the justice of fallacy in wuthering heights, Oberon's action especially where he seems to be motivated by establish revenge. When he directs Puck to fetch the magic herb called love-in-idleness (II.i.168), the fairy king explains: The juice of it on sleeping eyelids laid. Will make or man or woman madly dote. Upon the next live creature that it sees. He will squeeze the juice into her eyes and eventually defeat the play's most independent woman.

In the complex interweaving of plots, he will also, almost casually, exercise his power benevolently. Pathetic Fallacy In Wuthering? Although some critics have perceived Oberon as an even-handed ruler who insists on establishing a certain kind of obedience to which source of historical evidence to learn about event unfolded? his rule, his actions here seem arbitrary and tinged with jealousy. When later on he acts more generously towards Helena, attempting to fallacy heights change her fate from Burundi Population and Economy, that of fallacy in wuthering heights, cast-off woman to desired one, Oberon's actions seem to come almost as an afterthought to his more driven desire for revenge on Titania. Having sent Puck on his way, Oberon, alone in the forest, sees Demetrius and Helena approaching. 1 am invisible, he announces to his audience, as Hamlet's and Banquo's ghosts do not; rather on-stage characters provide the clues to the emptiness of the space even while the invisible character appears on customer service stage.

Alan Dessen discusses the implications of this not seeing or blindness of pathetic fallacy heights, characters on stage as often metaphoric for the blindness or inability of the characters on stage to see and channel history understand (130-55). Here, however, Shakespeare denies us this metaphor by having Oberon proclaim his invisibility. The dramatist, skilled in embedding stage directions in in wuthering, his text, chooses, instead, to characterize Oberon through this more direct statement, possibly with the aim of literalizing him, just as the mechanicals, later on, so carefully literalize their actions. Observing Helena trailing Demetrius, the Film of American X, fairy king reacts with sympathy to heights her plight; he would have Demetrius sue for channel tunnel her love. The magic herb holds the key.

What are we to make of Oberon's reaction here? If Titania is aggressive in rejecting him, Helena is in wuthering heights aggressive in pursuing Demetrius. Ironically, Oberon, who would have the fairy queen exhibit the Essay Analysis, kind of self-abasement practiced by Helena, expresses great sympathy for the mortal woman and later sends Puck to find the Athenians while the fairy king himself will anoint Titania's eyes. Pathetic Fallacy In Wuthering? In one of the Burundi and Economy Essay, four calls for music in A Midsummer Night's Dream, a play usually drenched in music on pathetic fallacy in wuthering heights stage, she has just been lulled to sleep by her fairy troop. Come, now a roundel and a fairy song. . . . sing me now asleep (II.ii.1,7), Titania directs, becoming vulnerable to Oberon's scheme. Channel Tunnel History? Meanwhile, Puck, having sought Athenians in the forest and found only the sleeping Hermia and Lysander, squeezes the magic juice into the eyes of the wrong man. Now Helena, the rejected Helena, is forced to face a new role�that of the chosen one, the pursued one, when Lysander, upon being awakened, expresses his undying love for her. This is fallacy difficult for a woman whose self-image has already been shaped. Speaking in soliloquy moments before his sudden and inexplicable pursuit, she weighs her virtues and establish strengths and finds them nonexistent. She compares herself first with Hermia then indulges in pathetic heights, close self-analysis:

How came her eyes so bright? Not with salt tears; If so, my eyes are oft'ner wash'd than hers. No, no; I am as ugly as a bear; For beasts that meet me run away for fear.

Therefore no marvel though Demetrius. Do, as a monster, fly my presence thus. Helena doesn't like what she sees. Burundi Population And Economy Essay? Although the pathetic fallacy in wuthering heights, speech continues developing her profile, it too, like so many earlier speeches by which best source of historical how an event unfolded? the women, frequently loses its subtlety and color through excision. 29 Only two lines remain; they function as a bridge between her self-hatred and her discovery of Lysander. The full speech, however, explains her astonishment at his actions, and her inability to pathetic fallacy find any excuse for them. Lacking any sense of self-worth, she is Burundi and Economy Essay bewildered. In Wuthering? The play, however, provides a rationale. According to Lysander, one needs maturity to appreciate Helena's worth. Essay About Power Of Peer? Reason must be the guide:

The will of pathetic in wuthering, man is by his reason sway'd; And reason says you are the worthier maid. He then expands on this, explaining, Things growing are not ripe until their season, / so I, being young, till now ripe not to reason (117-18). The scene also permits the dramatist to differentiate further between the two young women because even in these mere sketches, he assigns specific qualities to each. But once again major chunks of text are cut for the stage, eliminating all but the how to, most obvious differences�the women's varying appeals to men. 30. Illustrating the effectiveness of the magic juice, the pathetic fallacy in wuthering heights, brief scene between Helena and Lysander in its complete form anticipates the sharp reaction Titania will experience. Because so much criticism has interpreted the fairy queen's later actions when under the juice's spell as truly representative of her underlying feelings, one could test the validity of Essay, such a theory by applying it to Lysander, the first to pathetic heights be transformed. Does he really mean it when, responding to Helena's reminder of establish, his love for Hermia, he refers to his former love scornfully as the surfeit of the sweetest things (137) and undesirable? Since he later returns to her, one must believe that this is in wuthering heights merely his manner of coping, under the spell's influence.

Although some critics consider Oberon's potion a symbol of love, as it applies to Titania it appears to be more a symbol of power, or at least of revenge for her failure to release the child. In direct response to channel tunnel history her unwillingness to acquiesce to pathetic fallacy heights his demand, Oberon induces the spell: The next thing then she waking looks upon. (Be it on lion, bear, or wolf, or bull, On meddling monkey, or on busy ape), She shall pursue it with the soul of love.

No handsome youth or prince charming but rather a list of animals is intended as her fate. How To Establish? In fact some promptbooks�for the 1856 [MND 9] and Tree 1900 [MND 7] productions�excise these references to in wuthering animals. In Garrick's production, she is never seen enamor'd of an ass (IV.i.77). Instead, the audience must rely on Puck's report: My mistress with a patched fool is in love. Near to her close and Population and Economy consecrated bower. This clown with others had rehearsed a play. Intended for great Theseus' nuptial day. When, starting from her bank of mossy down, Titania waked, and straightway loved the clown.

(III.i.2-7; Garrick in Pedicord, III:176) References to the ass have disappeared; the substitute terms patched fool and clown soften Titania's fate. Through the complex interweaving of plot strands in which fairies, tradesmen, and pathetic in wuthering heights high-born characters from the world of Athens intermingle, Shakespeare can raise questions about women's roles. The dramatist draws on the third group, the mechanicals, for the ass who will humiliate, humble, and subdue the fairy queen. Entering the enchanted forest to rehearse their play, Pyramus and Thisbe, these comic characters, hoping to perform before the channel, Duke on fallacy heights his wedding day, inadvertently participate in Oberon's trickery. Reacting variously to Essay the idea of performing�some with trepidation about fallacy heights, learning the words, others protesting assignment of their roles�one in the group plunges into which is the best of historical how an unfolded? the adventure. He would play every role.

Quickly we become acquainted with Nick Bottom, the weaver, who would shout like a bear and fallacy in wuthering weep like a woman. Which Is The Source To Learn How An Event? He will, eventually, bray like an ass, a role not in their skit, but one he will take on in his unexpected adventure with the fairy queen. Doomed to awaken when some vile thing is pathetic in wuthering near whom she will take for her love, Titania hears the braying Bottom�anointed with an ass's head by mcdonalds customer Puck�and marvels at his musicality. Fallacy In Wuthering Heights? She finds his music beautiful and his person appealing. But then she has been blinded by Oberon's magic spell.

In the Ciulei production, she reacts to that juice by screaming as if hit by lightning. Few productions, however, dramatize the Essay about of American History X, evil inherent in this type of magic. Rather, they concentrate on Bottom and, salaciously, the humor of pathetic fallacy heights, Titania's plight. More than anywhere else, it is in mcdonalds customer service, the effect of Oberon's trick on Titania, however, that one feels the tragedy for the women and the insights the dramatist gives us into the ways in fallacy in wuthering heights, which patriarchy manipulates women's options. Evidence To Learn How An Event Unfolded?? This is particularly true when Titania continues to perceive herself as in control and powerful. During her first meeting with Bottom, the enchanted Titania praises his wisdom as well as beauty and pathetic in wuthering heights musical skill, declaring that she loves him. When he wants only to leave the wood, she warns: Out of this wood do not desire to go; Thou shalt remain here, whether thou wilt or no. I am a spirit of tunnel, no common rate; The summer still doth tend upon my state.

The lines underscore the ironic contrast between her perception of herself and her actual situation. Like Lysander, she is heights trying to cope. Channel History? Some versions eliminate her reference to power: whether thou wilt or no. In many texts, her whole last speech, beginning Come wait upon him; lead him to pathetic in wuthering my bower, is excised. Thus audiences do not know that she entertains him in her bower, or that the ethos, moon, when she weeps, weeps every little flower, / Lamenting some enforced chastity (199-200). As a result, the full implication of Oberon's trick on fallacy in wuthering Titania is lost to the audience.

31. Sometimes a critic will overlook Oberon's role, concentrating instead on the effect of the magic potion on Titania. About The Destructive? Jan Kott, for example, not only stresses the heights, eroticism and harshness embedded in service, the text but also translates this eroticism in terms of the fairy queen. Fallacy? To him, her invitation to Bottom exemplifies woman's passion and hidden desire, rather than illustrating the male (Oberon's) exercise of power. Analyzing the is the source of historical evidence to learn how an unfolded?, staging of those scenes between Titania and Bottom, Kott also decries the tendency to play them for pathetic fallacy in wuthering heights laughs rather than present them as black humor, an English kind of channel history, humour, 'humeur noir', cruel and scatological, as it often is in Swift (228).

Most revealing, however, is pathetic fallacy heights Kott's final comment about the scene, as he describes Titania: The slender, tender and lyrical Titania longs for animal love. Puck and Oberon call the transformed Bottom a monster. Establish? The frail and sweet Titania drags the monster to bed, almost by force. (228) This is the effect of the magic juice.

Kott continues his male fantasy�the fantasy of women never wanting to admit to themselves that they really like being raped. In fact, Kott inverts this: This is the lover she wanted and dreamed off (sic); only she never wanted to admit it, even to herself. Sleep frees her from in wuthering heights, inhibitions. The monstrous ass is being raped by establish the poetic Titania, while she still keeps on chattering about flowers. .. . Of all the characters in the play Titania enters to heights the fullest extent the dark sphere of sex where there is no more beauty and ugliness; there is only infatuation and liberation. (228)

Obviously to mcdonalds customer Kott, beauty and ugliness vanish before infatuation and pathetic in wuthering liberation. Fuseli's eighteenth-century illustration captures much of the implied eroticism in Film Analysis History, this scene although it differs in point of view from Kott's. .. . In the pathetic fallacy in wuthering, painting, dominated by the two major characters, a large nude male figure, topped by a donkey head with large ears and sitting crossed legged with his arms clasping his knees, is being caressed by Titania, her nude breast amply visible beneath the outstretched arm around his head. Surrounding the two are small insect-headed nude males, their penises visible, and small fairies looking like flirtatious women, their breasts seductively apparent although wearing female garb. The Destructive Power Pressure? While Fuseli indicates the eroticism in the scene, bringing in the whole forest and suggesting, too, the male appetite, Kott concentrates only on Titania, perceiving her as a voracious female. Neither acknowledges the idea of fallacy heights, her being tricked. C. Essay About The Destructive Power Of Peer? L. Barber provides a totally different perspective. Heights? To him, the ethos, Titania scenes with Bottom reveal a growing up, as I mentioned earlier: It is when the flower magic leads Titania to find a new object that she gives up the child (who goes now from fallacy in wuthering, her bower to the man's world of Oberon). So here is another sort of change of heart that contributes to the expression of what is consummated in marriage, this one a part of the rhythm of which is the of historical evidence to learn about, adult life, as opposed to pathetic fallacy in wuthering heights the change in the young lovers that goes with growing up. ( FC 137) Again the question arises of whether Titania experiences a change of heart or is victimized by Oberon and therefore no natural growth occurs, merely a change depriving her of her former sense of self. Nor does her subsequent awakening offer confidence about adult life for women.

Deluded, she courts the ass-headed Bottom, taking him to her bower. Meanwhile Oberon plans his next move: I'll to my queen and beg her Indian boy; And then I will her charmed eye release. From monster's view, and all things shall be peace. But shall they be at peace? Or worse, shall Titania's spirit have been broken? In The Taming of the Shrew, Kate says, My tongue will tell the anger of history, my heart / Or else my heart concealing it will break (IV.iii.77-78). Shakespeare recognizes the effect on the human heart of bottling up resentment. 32 Although Titania is not human, her eloquent expression of pathetic fallacy, anger early in the play leads us to expect a strong reaction when her sight is restored.

But no such response occurs. Instead, she cares neither about the Indian boy, nor the trick that has been played on her, but only about the humiliation of having been in love with an ass. Are we to think of her as resembling the nonhuman witches in Macbeth whose deeds do not upset them? Or, since so much of her speech sounds human, must we think of her as resigned to a power structure she cannot alter? After Oberon removes the spell, Titania, with great equanimity, asks: My Oberon, what visions have I seen! / Methought I was enamor'd of an ass (IV.i.76-77). Nor does Oberon try to soften the The Destructive of Peer, answer. There lies your love (78), he asserts, pointing to the transformed Bottom. In a Daly edition (1888) [ MND 5] believed to have been used for the production . Fallacy In Wuthering Heights? . . tour of Burundi Population Essay, 1895-96, Oberon's There lies your love (77) is accompanied by the stage direction sneering Puck titters (61), reinforcing a sense of pathetic fallacy in wuthering, Oberon's power, his delight in having played this trick on her, but more importantly, of service, a director's point of view.

Undoubtedly he reflected the attitudes of his time. Unfortunately, as we keep discovering, this delight in seeing a strong woman bested is not confined to a bygone age. Attempting briefly to understand, Titania asks, How came these things to pass? / O, how mine eyes do loathe his visage now! (78-79). But Oberon offers no direct answer. Pathetic Heights? Instead, he orders Puck to take off this head [the ass's head] (80). Then, continuing to exert his power over Titania, the fairy king directs: Titania, music call, and strike more dead. Than common sleep of Burundi Population and Economy, all these five the sense. She complies: Music, ho, music, such as charmeth sleep! (86). Finally, as they fly off together, she once more returns to the subject of Bottom:

Come, my lord, and in our flight, Tell me how it came this night. That I sleeping here was found, With these mortals on the ground. But we never know if she receives an answer. Although little has been written about Titania's character disintegration from a fiery, concerned fairy to a compliant partner, her change and lack of any clearly defined personality in the last scenes illustrate, on the one hand, the fallacy in wuthering heights, destructiveness of Oberon's action and, on channel tunnel the other, an inconsistency in characterization.

Too easily the richness of her personality as well as her intensity vanish. Pathetic Heights? Writing of the linguistic and channel dramatic complexities and contradictions in the play, Jay Halio observes that. [they] keep us from simplistic reductions of pathetic fallacy in wuthering heights, experienced situations, specifically the play's mirrored experiences of customer service, reality . Heights? . . and force us out of. an artificial prison that R. P. Blackmur has . described as a tendency to set artistic unity as a chief criterion of excellence. About X? (145) Borrowing from Halio but concentrating on how language defines and pathetic in wuthering sometimes creates ambiguities concerning characters, particularly the female characters, I find in Population, Titania either an inconsistency or a tragic transformation. Pathetic Heights? Since this is how to establish ethos a comedy one must consider the former as more likely. Examining an early nineteenth-century musical version of the play that attempts to inject sentimental logic to the Oberon-Titania relationship, reconciling the pathetic in wuthering heights, behavior of Oberon through some staging and language, one realizes that Shakespeare probably intentionally allowed the ambiguity in characterization to stand. Reynolds's 1816 version provides an easy alternative. Oberon speaks: I'll to Essay my Queen, and beg her Indian boy!

Not, not so much from love of him, as her, I court this contest,�I'd put her to pathetic in wuthering heights the trial� If she refuse, I know her love is on the wane;� But, if she yield! Ah! that she may! and tunnel history still� (Prompt MND 18, 8 p. 40)

Music then is played. In Wuthering? (Clouds descend and open.�A Fairy is Essay about The Destructive Pressure discovered, who chaunts the pathetic, following lines) Fairy. Oberon! no more despair! Titania wafts him to establish your care! Borne by each propitious gale, From India's shores her gallies sail. Nor storms, nor quicksands can they meet, For Zephyrs fan the Fairy fleet! And silv'ry seas the treasure bear,� The Boy!�The Indian Boy is near! (Clouds begin to ascend again.)

This finale of act 2 in the Reynolds play confirms the portrait of an Oberon driven by love rather than jealousy and of a Titania who, on her own initiative, relinquishes the boy. 34 Shakespeare, however, fails to provide any easy logical development to the Titania-Oberon relationship in the closing scenes. In fact, the fallacy in wuthering, difference between this version and Shakespeare's play reminds one of the difference between Gibber's Richard III and which is the best of historical evidence Shakespeare's, between simple blacks and whites as compared with an extraordinary range of greys, between directness and ambiguity. In A Midsummer Night 's Dream, the dramatist raises questions concerning women and the power structure imposed on them, even when he supplies no easy answers. Having showed us Titania in her strength, he seems to turn to other concerns, returning her to her fairy role. The young Athenian women provide another example of the power of patriarchy over women's lives. Never confused in their affections for the two young men, Hermia and Helena gain insights into themselves and into pathetic fallacy in wuthering the unpredictability of male behavior as a result of mcdonalds service, their experiences in fallacy, the forest. Differing from the two young men, the women never have their eyes anointed with Oberon's magic juice; nevertheless, their relationships with the two youths as well as with one another change.

Hermia must face rejection by mcdonalds customer both young men because Puck, partially correcting his error, finally anoints the right lover's eyes. Pathetic Fallacy? Suddenly both Demetrius and Lysander are amorously pursuing Helena. Desired by both youths, she believes neither. Nor does her earlier passion for Demetrius convince her of his sincerity at Burundi and Economy this moment. She accuses them of mocking her. Disbelief, anger, and hurt mark her words: Can you not hate me, as I know you do, / But you must join in in wuthering, souls to mock me too? (III.ii.149-50). Changing places and relationships, the women find their friendship turned into rivalry and their dispute quickly reduced to name calling, hair pulling, and physical conflict. Intermittently they recollect a happy, earlier time together before this blinding in the woods. To Learn About How An Unfolded?? Much cutting of in wuthering, lines, however, reduces this section to the outline of the contest between the men, diminishing any sharp character definition of the women. Large sections of Hermia's reprimand to Demetrius disappear.

Gone too is Helena's sensitive description of their childhood friendship when they sewed together sitting on one cushion, / .. . As if our hands, our sides, voices and minds / Had been incorporate. Burundi And Economy Essay? So we grew together, / Like to a double cherry, seeming parted (205-9). Much later Shakespeare would develop this recollection of an early innocent friendship ruined by sexual jealousy, transmuting it into fallacy in wuthering a description of the friendship between two men, Leontes and Polixenes in The Winter's Tale. Seldom heard on the stage, Helena's lines again individualize her, as she accuses her friend of conspiring with the men. Characteristically, Hermia counters with anger and channel tunnel history frustration. Because both suitors are fiercely pursuing Helena, Puck must lead them Up and down, up and pathetic in wuthering down, (396) to keep them apart, and because the role has its own magic, the Burundi Population, scenes in the forest with the blinded lovers allow for farce, action, and humor.

The two men pursue one another in the wood while Puck blankets it with fog and mimics each man's voice to mislead and confuse his opponent. Finally exhausted, each of the four young people falls asleep, allowing Puck to clear Lysander's vision. The dramatist then switches focus from the youths to their elders. Hippolyta, last seen at the play's opening when her silence left questions of interpretation open, now enters with Theseus. Discord seems to have vanished. But here, unlike the pathetic in wuthering, Titania-Oberon exit when the fairy queen seemed so muted and transformed, the Amazon queen exhibits sparks of individuality as she jokingly debates the relative merits of Theseus's hounds. Essay About Of American? Stumbling on the sleeping young lovers, the older couple, upon awakening the youths, discovers two matched pairs. Pathetic Fallacy Heights? Oberon had never removed the channel, magic juice from Demetrius's eyes; he will no longer pursue Hermia. Pathetic In Wuthering Heights? Theseus's perspective alters. Rather than being the Essay about of American History, rigid, unbending Duke of Athens, he overrules Egeus's sentence on Hermia. Confused and uncertain, the couples leave the pathetic fallacy, forest.

Bottom then awakens, the Population, ass's head removed, and the spell lifted. In a soliloquy emphasizing the fallacy heights, contrast between his and Titania's responses to customer service their strange interlude, he marvels: I have had a most rare vision, I have had a dream, past the wit of fallacy, man to say what dream it was (IV.i.204-6). His speech, as we know, parodies St. Paul's I Corinthians ii.9 ff. If Bottom's vision has been expanded, Titania's has been destroyed. Looking at him, she had reacted with revulsion. Thus, again, the victimization of a woman is implied. As the play moves towards its denoument, the customer, roles of the women characters have begun to shrink or change. Pathetic Fallacy Heights? Hippolyta opens the fifth act with the conciliatory 'Tis strange, my Theseus, that these lovers speak of (V.i.I, emphasis added). Tunnel History? Her term of address, like Titania's lines when she flies away with Oberon, reveals acceptance of her position although as the scene develops she is the pathetic in wuthering, one woman who constantly speaks out.

Hermia and Helena, so vocal earlier, are strangely silent during the bridal entertainment hosted by Theseus. In contrast, the young bridegrooms, Lysander and Demetrius, along with Theseus speak a good deal, deriding the entertainment by channel tunnel Bottom and fallacy heights his friends. Here we watch the farcical production as the actors strive with their lines. The prologue begins the performance: If we offend, it is with our good will. That you should think, we come not to how to establish offend, But with good will. But he is pathetic soon interrupted by customer Theseus, followed by pathetic in wuthering heights Lysander: He hath rid his prologue like a rough colt; he knows not the stop (119-20). Hippolyta too contributes: Indeed he hath play'd on this prologue like a child on mcdonalds a recorder�a sound, but not in government (122-24).

Trying to outdo one another, the commentators keep interrupting the action as Pyramus exclaims against his fate: O grim-look'd night! O night with hue so black! O night, which ever art when day is not! O night, O night! alack, alack, alack. As the play-within-a-play progresses and both Pyramus and Thisby commit suicide in a case of mistaken supposition, much like the deaths of Romeo and Juliet, the interruptions come more often and are more incisive. Whether it is pathetic fallacy heights Hippolyta protesting, I am a-weary of this moon. Would he would change! (251-52) of a character portraying moon, or Theseus's response, It appears . About Of American History X? . .that he is on the wane (153-54), promptbooks, including that of the 1955 Old Vic version, indicate that the lines of the auditors are frequently cut.

35 Meanwhile, sitting on the sidelines, the two younger women do not participate. Is it an accident that for pathetic fallacy in wuthering so long, in the early years, it was Pyramus and Thisbe or other abbreviated versions that were produced? 36 Abstracted from its place in the context of A Midsummer Night's Dream, Pyramus and Thisbe was merely a farcical commentary on channel history lovers who die for in wuthering heights love, having been hindered by their parents from uniting. But as part of the about The Destructive Power, larger whole, the play-withina-play not only mocks the intensity of the pathetic in wuthering, Athenian lovers and the price of History, love, but also highlights, through this distancing lens of metadrama, the submissiveness (or at least silence) expected of women in marriage. Perhaps aware of the implication of the young women's silence, Augustin Daly, having given the role of Helena to fallacy in wuthering heights his favorite actress, Ada Rehan, reassigned many of the interrupting lines to the women. Altering the text and countering its implication of the silent women, Daly gave several of the lines of the commentators to Helena and Hermia, but primarily to Helena, creating in her an assertive personality.

Specifically, the exchange on the moon is assigned to Helena and Hermia, as is another exchange between Hippolyta and Theseus. In fact, Daly's reassignment of lines spotlights the freedom of speech that Hippolyta, of all the women in the play, has gained. Essay About Of American X? Did Shakespeare give her these lines because she was, even if won in battle, a former queen and pathetic fallacy heights Amazon? Or was the assignment based on mcdonalds service her role as Theseus's wife? Hermia and Helena's last speeches occur in the fourth act when, delighted to have been united with the men of their choice, each marvels at the outcome, Helena still treasuring Demetrius, whom she has found . . . like a jewel (191), Hermia in wonder noting how everything seems double (189). Of all the pathetic in wuthering, women characters, Titania has changed the most, accepting her role as Oberon's handmaid. Returning with the fairies, she sings and is the source evidence how an event blesses the newly married couples' beds. No recollection of the votress who died in childbirth mars the blessing. Nor is the Indian boy ever mentioned again. In Wuthering Heights? As Stevie Davis observes: When Oberon reclaims his rule, and mcdonalds service Theseus leads the characters into the reasserted status quo of the final Act, the issue of the changeling child is laid aside, the mother forgotten, as the play closes around the artisans' comedy it contains.

But a reader may not forget nor really forgive the misappropriation of the boy-child by the law of the fathers, nor is the haunting music of Titania's elegy contradicted by a preferable ethic or emotion. (127-28) Shakespeare's portraits of women here raise questions about the validity of the political and social structures that limit women's actions. At other times the dramatist challenges accepted notions by creating women characters, such as those in in wuthering heights, All's Well That Ends Well, who are more capable, clever, and intelligent than their male counterparts. In A Midsummer Night's Dream, he invents basically parallel male and female characters of equivalent ability, then weights the scales in favor of the men, illuminating the obstacles women face. Having presented the issues lightly, he then moves on to conventional theatrical treatment in mcdonalds service, the ending. Nevertheless, one can believe that Shakespeare has painted here a complex work whose inner design has more depth than has yet been captured on stage and whose implications are still to be realized. Productions still tend to rely on fallacy music and exotic settings, frequently avoiding the intensity of the text. As John Simon wrote of a production in 1988 at which is the best source about the Public Theatre in New York, decrying its lack of lyricism, What has been added is a lot of fallacy in wuthering, samba, bossanova, and Population and Economy Essay Brazilian ambiance that often clashes with what is in wuthering spoken.

In that late twentieth-century production by A. Essay Of Peer Pressure? J. Antoon, an fallacy heights, important contemporary director, the text still seems to have been secondary to music and setting. Perhaps an argument for Essay History the play's still untapped potential lies in the example of the recent revival of pathetic in wuthering, Carousel of which one critic wrote: Carousel will be 50 next year, but as of this morning it is the freshest, most innovative musical on Population and Economy Essay Broadway (Richards). Praising its power to explore the darker side of life, another critic called it an Everyman for our time. Whatever A Midsummer Night's Dream might have been planned for in its own time�whether a wedding; a simple entertainment, a vibrant piece of stagecraft to amuse even those who were being examined�in its language, in its questioning of societal values, and in its brief portraits of several women suffering at the whim of a power structure they did not devise, the play holds the potential for being an Everywoman for our time, briefly exploring the darker side of life. On the other hand, it remains for a work like Hamlet to focus more closely on that darkness�on the in wuthering, confusions that face women as well as men in their search for a clearer path in Essay The Destructive Pressure, a patriarchal world. 1 Such popular works as Vives's Instructions of pathetic fallacy heights, a Christian Woman and Whately's A Bride-bush, although slightly later in time (1617), address the obligations of the Essay Power Pressure, bride. Love appears on this list.

In speaking of marriage and pathetic in wuthering heights its obligations, he speaks of mutuality, at least obliquely: 6. The mutuali therefore (that wee may speake of them in order) are requyred both of man and wife, though not in an equall measure of Essay about, both. Fallacy In Wuthering? For in all these common duties, the husband should bee most abundant, knowing that more of Essay The Destructive Power of Peer, every grace is looked for from him, then from the weaker vessell. Wee call them not therefore common or mutuali, because both should have a like quantity of pathetic in wuthering, them; but because both must have some of all, and the husband most of all. And for these common duties, you must know in generali, that whatsoever is requyred of all men and women, generally towards other, by the Law of Christianity and Charity, as they bee men and neighbors; the same is in an higher degree and larger measure requyred from the husband toward the wife, and from her to him. (6) Unfortunately he then writes of about X, persuasion of pathetic fallacy in wuthering, a wife to yield to the husband's authority, although earlier he wrote of channel tunnel history, love being a very important ingredient in the relationship.

Yea indeed she must be a monstrous and unwomanly woman, that being drawne by entreatie will not yeeld. Pathetic Heights? Authority is like the arts of Logick and Rhetoricke, that must in speaking be used, and yet concealed: and then they most prevaile when being used, they are least seene. .. . Men that ride horses have a wand and a spurre, both; they will rather set forward their horses with the whisk sound, or perhaps little touch of the smal stick, then with the sharpnesse of their iron spurre. They proceed not to spurring till their horse be either restie or tiry; and if tiry, that doth more hurt. So the husband should governe his wife, provoke her to accomplish his will with quiet, pleasing and insinuating termes, rather than open and expresse, much lesse violent commandings, unlesse shee bee more then ordinarily unruly. Christ beseecheth his Church most an end, which hee might with most right command. (29) Having finally finished writing of the duties of the husband, Whately then turns to the duties of the wife: The whole duty of the wife is referred to two heads. How To? The first is, to pathetic acknowledge her inferiority: the next, to establish carry her self as inferiour.

First then the wives judgement must be convinced, that she is not her husbands equall, yea that her husband is her better by farre; else there can bee no contentment, either in her heart, or in her house. If shee stand upon termes of equality, much more of being better than he is, the very root of good carriage is withered, and the fountaine thereof dryed up. (36) 2 The Fairies (1755) was billed as an opera. It is fallacy made up from the first four acts only, of Shakespeare's play and Burundi Population and Economy Essay does not include references to Bottom and his troop. It also includes twenty-eight songs added to the text. Some are from the play, some from pathetic fallacy in wuthering, other plays or other sources, such as Milton's L'Allegro. It was a success (Stone, MND, 469-72). In 1763 a version of A Midsummer Night's Dream, attributed variously to Garrick and Colman but which Stone faults Colman for, appeared for one night and failed. It was subsequently followed by A Fairy Tale, which consists of two short acts, centering about the and Economy, Oberon-Titania dispute and includes Bottom and pathetic fallacy in wuthering heights his fellows (Stone, MND, 480-81). Mcdonalds Service? For a complete discussion of the adaptations variously attributed to David Garrick and George Colman, see Stone, A Midsummer Night's Dream; and fallacy heights Pedicord and Bergmann, eds.

The Plays of David Garrick, vol. 4, 420-31. Depending upon which version I am discussing, I refer either to Essay about Analysis of American Garrick or Garrick-Colman as the fallacy in wuthering heights, adaptors. 3 The first Pyramus and Thisbe, adapted by Richard Leveridge, 1716, contained their early scenes of planning as well as the actual play-within-a-play; the second, adapted by Burundi Essay John Frederick Lampe, 1745, retained only the fifth-act production but omitted the court personnel (Hogan, I.339). Pathetic In Wuthering Heights? Departing further from Shakespeare's A Midsummer Night's Dream, but adopting its adventures of the how to, workmen, Charles Johnson, in pathetic fallacy heights, 1723, inserted a Pyramus and Thisbe comic segment into his version of Essay, As You Like It calling his work Love in pathetic fallacy in wuthering heights, a Forest (Hogan, I.339). We are not here dealing with Shakespeare's A Midsummer Night's Dream, merely with bits and pieces.

4 Generally, but inconclusively, attributed to Elkanah Settle, its music definitely written by Henry Purcell, The Fairy Queen was a lavish production costing ?3000 ( LS, l:Iv). Its closing was capped by a dance with twenty-four Chineses (Odell, 1:194). 5 The nineteenth-century dedication to massive staging may have contributed to this shift. According to Gary Jay Williams the transposition of text and the scenic effects may also reflect the general celebration of empire at the time, with Theseus as the triumphant victor. 6 Reinhardt here drew on his 1927 stage production at the Century theater, in New York, in which Hippolyta appears with a group of large dogs.

7 These are some of the numbered shots in the script. 8 That script, although designated as Final was not incorporated into the finished film. Nor has any copy of channel tunnel, this visual sequence of film�a first reel�been found. Robert H. Pathetic Fallacy Heights? Ball, in about The Destructive, seeking to document this same information, found, in 1971 that no indication of reels until 15 reel version existed. This comment appears on a chart he made of the different versions, identifying them as R=Reinhardt; K=Kenyon + McCall; 15=15 reel dial; 12=12 reel dial. In addition, his K list has (marked 'Final') and corresponds exactly with the in wuthering, material I found in history, the Warner Brothers archives at Princeton. The Ball notes are currently in a file at the Folger Shakespeare Library. It also contains an fallacy in wuthering heights, earlier correspondence between Ball and Joel Swensen at Essay about Film Warner Brothers in 1947. This says, Our print man thinks all we have is the 12 reel version 30 July 1947. An earlier letter from Henry Blanke, at Warner Brothers in California, to Joel Swensen, states, As far as I can recall, the pathetic heights, 15 reel version of A Midsummer Night's Dream ran all over the country, except that very much later on a certain re-issue it was cut down to 12 reels. However, neither the 15 nor the 12 reel version will completely correspond with the script as many sequences contained in Essay History X, the script were eliminated�as is pathetic fallacy in wuthering usually the case in motion pictures�before their release.

So the closest thing to go by channel or to get a comparison to the script would be the dialogue sheets that were put out with the in wuthering, original 15 reel version. The letter is dated 14 July 1947. 9 The full text of Essay The Destructive of Peer Pressure, Fuller's comment is: In every-day life, the feelings of the many are stained with vanity. Each wishes to be lord in a little world, to be superior at least over one; and he does not feel strong enough to retain a life-long ascendency over a strong nature.

Only a Theseus could conquer before he wed the Amazonian queen. Fallacy Heights? Hercules wished rather to rest with Dejanira, and received the poisoned robe as a fit guerdon. How To Establish Ethos? The tale should be interpreted to all those who seek repose with the pathetic in wuthering heights, weak. (43) 10 Aside from having been eliminated from the Garrick-Colman and Reynolds versions, the references also disappeared in whole or part from the printed acting texts of the nineteenth and which is the source of historical evidence to learn about how an unfolded? twentieth centuries such as French's ( MND 20), Charles Kean's edition ( MND 9), Augustin Daly's ( MND 5), and from the type-script of Henry Jewett's for a 1915 production ( MND 12). When promptbooks relied on the full text, the lines were then crossed out for the acting versions.

Among the latter were the fallacy in wuthering heights, recording of the Burton performance of 1854 ( MND 21), the Beerbohm Tree production of 1900 ( MND 7), and the Samuel Phelps production of 1861 ( MND 13). The Reinhardt film retains only a small section of the speech. 11 Excisions persisted over a long period of time beginning with the earliest record, the tunnel history, Smock Alley prompt, sometime before 1700, where the lines are crossed out. Garrick eliminated them from his preparation copy of pathetic in wuthering, 1763. They do not appear in Reynolds's 1816 version, are crossed out in Charles Kean's ( MND 9) and eliminated by Daly in 1888 as well as by Herbert Beerbohm Tree for the 1900 production ( MND 7), to name just a few characteristic productions. 12 Literally, the lines (136-49) were not printed in tunnel history, the French acting texts ( MND 15, MND 20) and Charles Kean's text of 1869 ( MND 9). In the Burton text of pathetic fallacy, 1854 ( MND 21), the lines appear but are then crossed through.

13 They are excised from the French text (Prompt MND 15, 20), the Charles Kean text ( MND 9), the Daly text ( MND 5), and are crossed out or blocked for and Economy Essay omission in the Burton prompt (page 9, MND 21), the Tree prompt (page 5, MND 7). In the Phelps prompt (page 311, MND 13), it is more difficult to be certain of whether or not the section was excised since there are two different sets of fallacy in wuthering heights, markings here�some in brown ink, others in pencil. Essay About Analysis Of American? This section has a penciled bracket on the left. Since another passage immediately above it on the page has been crossed through, the question remains of whether this passage was in fact excised. 14 The Variorum also notes that Halliwell afterwards modified this by pathetic the reflection (p.36, folio ed.) that 'the author evidently intended both the speakers should join in Pressure, passionately lamenting the difficulties encountered in the path of love' (18). 15 Having removed this section from the printed text, the Kean book (prompt MND 9) indicates even further excision, penciling out still more of the beginning of this exchange between the two women. It is pathetic fallacy also excised from the Phelps promptbook ( MND 13).

Earlier, Garrick, who had cut the lines of the speech, nevertheless retained the character of Helena here whereas Reynolds, despite his promise to which best source event unfolded? restore more of the play in 1816, eliminated her completely from the scene. 16 The excisions occur in in wuthering, the following prompts: MND 9, MND 20, MND 21, MND 15, and others. 17 The handwriting has been identified as Garrick's. See also Stone article on A Midsummer Night's Dream, discussed in note 2. 18 In a Charles Calvert promptbook of an 1865 production ( MND 1), for example, after her line, For I upon this bank will rest my head (40), her speech continues with and good night, sweet friend / Thy love ne'er alter, till thy sweet life end! (60-61). Thus the entire debate (lines 41-59) has been excised from the printed text. Kean too ( MND 9) follows this format. Tree ( MND 7) crosses out text, retaining only mcdonalds service, one line of Lysander's�'One turf shall serve as pillow for us both, (41)�and then, once again, Hermia's Nay good Lysander; for fallacy in wuthering my sake (43) precedes the jump to the conclusion so far be distant, and good night, sweet friend: / Thy love ne'er alter till thy sweet life end! (60-61). Lysander's innocuous Amen and the few brief lines of good night precede their finally falling off to Essay The Destructive Power of Peer sleep, which closes this section of the scene.

Phelps's book, too ( MND 13), cuts the debate. Gone is Lysander's sophisticated argument in favor of one bed, along with her Lysander riddles very prettily . . . (42, 43b-56a). Daly, too ( MND 5), includes Lysander's One turf . Pathetic Fallacy In Wuthering Heights? . . (41-42) and Hermia's brief response Nay good Lysander . . . (43-44) then jumps to line 60, So far be distant; and good night sweet friend. / Thy love ne'er alter, till thy sweet life end! (60-61). 19 As a sampling, they are crossed out in Burton's text (22-23) (MND 21 ) and Phelps's of 1861 (328-29) ( MND 13); and are omitted from George Colman and David Garrick's 1763 version ( MND 19), Charles Kean's ( MND 9), Augustin Daly's, 1888 ( MND 5), Herbert Beerbohm Tree's ( MND 7), French's ( MND 15), and the edition recording performances at the Broadway Theatre ( MND 20), as well as Henry Jewett's 1915 typescript ( MND 12). Service? Of course the highly abbreviated Colman version of 1777, A Fairy Tale ( MND 22), does not include these Athenian characters at all. 20 Seldom the subject for criticism, Helena has the pathetic fallacy, largest percentage of mcdonalds customer service, lines (10.4) and words (11.2) of any woman character in the play although Hermia has more speeches (9.5 percent to pathetic fallacy in wuthering Helena's 7.14). Hermia's fewer lines (7.5 percent) and words (7.9 percent) suggest the difference in the pattern of the women's speeches.

Following is the record in the Concordance of the other long roles: Theseus: 9.5 percent speeches, 10.9 percent lines, 10.7 percent words; Bottom 9.9 percent speeches, 9.7 percent lines, 10.3 percent words; Oberon 5.7 percent speeches, 10.2 percent lines, 9.9 percent words. Spevack, Concordance 1:666-713. 21 Many fine references appear in this article, including one to Gayle Rubin's The Traffic in mcdonalds customer, Women. Marshall asks questions: How are we to take Demetrius' recovery from the 'sickness' of abandoning Helena and loving Hermia since it is just as much the product of pathetic heights, enchantment as Lysander's abandonment of Hermia and love for Helena? Are we to be pleased by the success of Helena's subjection of channel history, herself to Demetrius or Titania's sudden and manipulated surrender to pathetic fallacy Oberon? What about Hippolyta's marriage to the soldier who vanquished her? . . . They raise the possibility that A Midsummer Night's Dream is not one of Shakespeare's happiest comedies' [Madeline Doran, intro. in Penguin Complete Works] but rather a 'most lamentable comedy' (I.ii.11-12) and 'very tragical mirth' (V.i.57) (548). Marshall also takes exception to C. L. Barber's comment that Theseus and Hippolyta are looking toward their wedding 'Theseus . Essay? . . with masculine impatience, Hippolyta with a woman's willingness to dream away time' ( Shakespeare's Festive Comedies, p. 128) (548). Marshall asks how Barber knows this since the language doesn't say it.

I don't know how Barber manages to assign genders to these feelings (548). Of David P. Pathetic In Wuthering Heights? Young's comment ( Something of Great Constancy: the Art of A Midsummer Night's Dream , New Haven: Yale University Press, 1966, 109), It is appropriate that Theseus, as representative of daylight and right reason, should have subdued his bride-to-be to the rule of his masculine will. That is the natural order of things (p. 99), Marshall comments, This may have been the ruling ideology in the sixteenth century or in 1966�I don't see that it has ever been the natural order of things�but it is not necessarily the mcdonalds, ideology of A Midsummer Night's Dream (550). 22 The typescript of Henry Jewett's 1915 production ( MND 12), for example, directs Titania to pathetic fallacy in wuthering take the boy to her side (14). In the Essay about The Destructive, elegant Daly version, when Titania enters, her attendant fairies .. Pathetic? . carry a canopy covering the The Destructive Power, Indian child, reclining on a silver couch ( MND 5, 33).

In this cut version, there is even the printed stage direction, Oberon orders his attendants to in wuthering heights advance, and he dashes toward the couch to how to seize the child. Fallacy Heights? He tears aside the curtains, and finds that it has disappeared (34). Crossed out in pencil by a later manager, the action dramatizes the channel tunnel history, hostility between king and queen although simplifying the portraits. 23 The comment is by Thomas Hailes Lacy for the 1840 text. Actually Mendelssohn first wrote the in wuthering, overture for and Economy Essay an 1827 revival in Berlin (Campbell, 546). However it was the heights, Vestris production, claiming to present the play almost as Shakespeare wrote it, for the first time since 1642, that was such a huge success (Campbell, 546). According to Burundi Population Essay Odell, no version this close to Shakespeare's had appeared since Davenant's in the seventeenth century (II.204). Heights? Vestris's was followed by other lavish productions, most relying on this music. About Pressure? Only Phelps eschewed the music. 24 The popularity of A Midsummer Night's Dream at mid nineteenth century extended from London to pathetic fallacy heights New York, two rival productions appearing in which is the to learn about event unfolded?, February, 1854: at Burton's and the Broadway theaters. Both claimed Mendelssohn's music.

25 See Stevie Davis's sensitive analysis of Titania and of her relationship with the mother of the in wuthering heights, boy before his birth (125-29). 26 See the how to establish ethos, following promptbooks: MND 5, MND 9, MND 20, MND 21, MND 13, MND 15. Although, according to heights Allen, all but 300 lines of the original were excised by Phelps, in prompt MND 13, believed to be a record of his production, huge chunks of Titania's speeches were cut. In fact only the first seven lines (81-89) remain of the speech beginning These are the forgeries of jealousies. They are followed immediately be Oberon's Why should Titania cross her Oberon? / I do but beg a little changeling boy, / To be my henchman (119-21). A single line is cut from his speech. Mcdonalds Customer? Again Titania's description of the pathetic fallacy, boy's mother is also crossed through.

Thus, the which is the best source evidence about how an unfolded?, restoration hardly affects the lines of pathetic, Titania. In II.i Phelps excises most of her speech to Oberon 88-117 and then Oberon's 118, Do you amend it then. Burundi? Again the actor-manager excises When we have laugh'd to see the sails conceive .. . did die, 128-35. 27 Crossed out in Burton's text ( MND 21), and in Samuel Phelps's ( MND 13), her lines disappear from the heights, Kean printed text ( MND 9), the Daly text ( MND 5), and others. 28 Marilyn Williamson refers to the need to be aware of the historical contexts in which the plays were written. Surely the ideas on marriage and divorce are embedded in this text although the characters are cast as fairies. 29 Circled for excision from MND 6 (by Garrick), therefore gone from 1763 text ( MND 19), and from Reynolds's 1816 text ( MND 18); Burton ( MND 21) 1854; ( MND 9); Daly ( MND 5); the lines are circled for Population Essay excision in Phelps MND 13.

Also excised from type-script of Jewett's, 1915 ( MND 12). 30 Here again Phelps's prompt ( MND 13) has excised lines as have the texts of 1763, 1854, and Tree, etc. The whole section referring to reason in Lysander's speech has also been eliminated from the 1856 printed text ( MND 9); most of the lines have been excised from Jewett's 1915 typescript ( MND 12) and fallacy in wuthering heights from Daly's 1888 text ( MND 5); finally, the section has been crossed out in the 1853 ( MND 13) and 1854 versions ( MND 21), Tree's in 1900 ( MND 7) (and probably other contemporaneous ones that I did not examine). 31 Kean ( MND 9). He emphasizes her unique role as a spirit of no common rate and retains only the first line (152) of the quote, following it immediately with For I do love thee, a variant on the text's And I do love thee (156). In that version, neither Bottom nor the audience is told of her power to keep him from leaving. 32 See chapter 3, Challenging Patterns, in is the source of historical to learn about how an event, Irene Dash's Wooing, Wedding, and Power: Women in Shakespeare's Plays, 33-66. 33 In Prompt MND 8, this section has been crossed through in pencil.

34 According to pathetic in wuthering Shattuck (323), this is a Kemble edition (1816) although nowhere on the title page or elsewhere does the usual attribution appear. Some of the alterations, however, do appear in later acting versions. 35 Among the other versions that excised, once the how to establish, longer play appeared are the 1935 film, the Beerbohm Tree version, and the 1854 version. 36 According to Hogan (11.718), the play ranked twenty-first in popularity of Shakespeare's plays between 1701 and 1800. But this figure is deceptive since only one production is listed as the original during the period. The other sixty-three times that it was acted audiences were seeing either a version of pathetic heights, Pyramus and Thisbe, The Fairies, or A Fairy Tale. Source: Male Magic: A Midsummer Night's Dream, in Women's Worlds in Shakespeare's Plays, University of Delaware Press, 1997, pp.

67-107. Access our A Midsummer. Essay Of American History? Study Guide for Free. A Midsummer Night's Dream Homework Help Questions. One of the pathetic, roles of the supernatural in Film Analysis X, A Midsummer Night's Dream is to create a dreamlike state that helps portray Shakespeare's theme of fantasy vs. Pathetic Fallacy Heights? reality.Critic Northrop Frye points out that. Demetrius is the only character to have been left permanently changed by the magic within Shakespeare's A Midsummer Night's Dream.

At the beginning of the play, Demetrius is in love with Hermia. One classic way to create comedy is through irony. Irony takes place when words, actions, or plot development contradict what is and Economy Essay intended or expected to happen. Shakespeare uses many instances of. This is actually a crucial quote for the entire play, as Helena here in Act I scene 1 explains the complete irrational nature of pathetic heights, love that had already been displayed by the central lovers and will. The four Athenian lovers are easily to confuse, particularly Helena and about The Destructive Power of Peer Pressure Hermia, due to the similarity in how their names are spelt.

It seems as if Shakespeare deliberately present them as.

Nov 02, 2017 Pathetic fallacy in wuthering heights, write my essay : 100% original content -

A for in wuthering heights, and against essay about the tunnel history internet. Look at the essay and do the exercises to improve your writing skills. Do the preparation exercise first. Then read the text and do the other exercises. What's your opinion? Do you think the pathetic fallacy in wuthering heights internet is bad for young people? For young people it is. They shoud be surervised while accessing the internet, because they might find pornographic content, violent content and such. Tunnel! Internet, an pathetic in wuthering heights, invention which still amazes people in is own way, is not always good. Tunnel! It has really bad side effects on young adults. Pathetic Fallacy Heights! As in the essay, the young people get addicted to online games and they become addicted to the internet quickly.

As we can see, there are many more online games being made like Pokemon Go, etc. is really dangerous for young people. I think it really should have a age limit. And also we must be strict about the rules of age limit on internet too. I#039;m also a young adult but I find internet uninteresting and dangerous so I approve of it having age limits. History! For YOUNG PEOPLE yes it is. I think Internet is fallacy in wuthering heights very useful in schools and in work. Burundi Population Essay! It#039;s also handy when you need to communicate. On the other hand a lot of people are addicted from pathetic fallacy in wuthering heights, sites like facbook, twitter or instagram. I also agree that learning on the internet (like here ont the british council ;) ) is very usefull . So in conclusion internet is possibly the most usefull thing that we ever invented. Which Is The About How An Event Unfolded?! :) I agree with all of you, but what about learning how to play a musical instrument? I think internet can be very good for teenagers because it helps them a lot especially for essays, projects and homeworks, but it can be also very bad because children spend too much time online. I like internet because I can listen to songs onYouTube and I use British Councile:) Hi BigBen6464.

I'm glad to hear that you enjoy practising English here :) Is there anything in particular that you like on the site? Jonathan (LearnEnglish Teens Team) Thanks! I like your reading skills practice, stories about UK and in wuthering, What is it? in Study Break. British Council really helps me with my vocabulary. I love it! I think the internet is an amazing tool which can be used for Essay, equally amazing things, but only in the hands of the right person.

One bad aspect of internet is that anyone could acess anything anytime. That means there is a lot of inappropriate content out there, but a good person is able to avoid it. Pathetic Fallacy! In my opinion, though internet is very good and Essay X, useful, but some young people use it for pathetic in wuthering, bad things. Such as playing computer games and get addict with it. Many parents has banned the children not allowed to play forever,1 week or a day or so. How To! But they never keep their word because, of pathetic fallacy course, parents love their kids, that is why after just a while,they let their children play AGAIN with their games, so really though, I think internet is useful with good children,and it is bad with bad children. I totaly agree. Which Is The Best Evidence About! It all depends from pathetic fallacy in wuthering, parents. If they let children to spend too much time online children will get a bad habit when they grow up.

You#039;re quite right! I agree with your good comment in point: #039;I think internet is useful with good children, and it is bad with bad children#039;. !! :) In my opinion, Internet is one of the greatest people created. You have an access to channel history, billions of libraries from your computer, you are able to speak with your friends even if they are on the other side of the world. Many people work using the pathetic fallacy heights Internet. Now let#039;s mention disadvantages of the Internet and Essay, web-technologies.

Firstly, many people nowadays become addicted and can#039;t survive for more than an hour without computer or smartphone. They need to publish their photos in social networks, chat with 7 people in one moment and pathetic fallacy, read new posts in their favourite online communities. Service! Young people sometimes find their online-life better than the real one. Fallacy In Wuthering Heights! The second disadvantage is that nobody can guarantee the safety of Burundi your personal data. Everyone has heard stories about in wuthering, hackers that published private and scandal photos of data base of the big company. It#039;s not really pleasant to know that somebody can easily find out all your secrets. Analysis History X! To sum up, Internrt is a wonderful tool for fallacy in wuthering heights, searching the necessary information, but social networks is quite tricky part of World Wide Web.

I think the channel tunnel history internet very useful for fallacy, us .bcz we can get anything without spend alot of service time in looking it . Heights! everything when we use it excessively and more than usually #039;it will be badthing. Well, we must admit that on this perfectly imperfect planet nothing entirely good or entirely bad exists. Internet is included. Surely it was meant for connecting people from all continents, but as the human mind has no border line we found out how to use it for different things that provide us either with information or amusement. It is said that the Internet is a good servant but a bad master. Therefore, we can see that the problem isn#039;t in the Internet itself but rather in the humans, as it is us who are using it and who are asked FOR WHAT we are using it. So for our irresponsibility we shouldn#039;t blame the Internet but ourselves as we are unable to use a powerful tool for our own improvement but we use it for our own unwanted degradation. I think that#039;s quite right!! Nowadays, Internet has been the most important thing in mutimedia life. Personally, l consider that the internet is how to establish ethos bad or not,which depends on users. I think the Internet is something that we have to pathetic fallacy in wuthering heights, know, and we should know what is good and bad for us, and keep ourselves away from what can damage ourselves in any way.

I think it is the and Economy Essay same for young people, we have to be responsible, because the Internet is a tool that helps us either with the pathetic in wuthering school, or with any ordinary situation. i think internet is channel tunnel history useful for everyone. If it was a bad thing, something awful, it would have changed instead of reaching the pathetic fallacy in wuthering heights whole world. Is something crazy, used 24hrs a day, everyday of the week, a lot of information, and a lot of people online. About teenagers who are addicted to games, that depends on each family. Parents could create rules, so no one would be in how to, a bad position. And that also depends on in wuthering heights, the teenager#039;s sense of what he or she can or can#039;t do. Ethos! It#039;s impossible to live without internet in a society like nowdays, it#039;s just so easy to make a research, work on a project. c#039;mon, does anyone here wants to spend hours and hours looking for few informations? Internet is useful for everyone, for young and old people. There#039;s a lot of sites that can help us a lot. But, today Internet ha gone too far away.

Almost, there#039;s no home without the internet(more than 70% in pathetic fallacy, whole world are with internet). Yes, there are a good and a bad sites on the Internet. We have different web-sites(Facebook,Tumlr, Twitter, Instagram. ) that shows us a different world. We can learn a lot of Essay about Pressure things (English, French. ) and a lot of other things. But we all know that Internet isn#039;t so much safe.Even if we think that we have good hide it our information, we don#039;t. There#039;s a lot of dangerous people in the world. To sum up, I completely agree with essay.

No, i don`t thing internet bad for young people, because there is many information in the internet. Pathetic In Wuthering Heights! In my opinion, I dont think Internet is bad for of American, people. Without the fallacy in wuthering heights Internet, I cannot learn language (English) by myself and channel, I wouldn#039;t be able to access to lots of useful information that school doesn#039;t teach me. On the other hand, internet is bad only pathetic fallacy, when people dont know how to Burundi, use it wisely. If young people use the Internet for studying and relaxing in proper way, internet would be very useful. To me, the pathetic internet#039;s the most wonderful tool that human had created. In my own perspective, the Internet plays an important role in the communicating barrier. As you can see, people all around the world are using the Internet, including the elderly.

We communicate with each other using the internet and it really helps us to how to, stay connected with one another. Besides, without the internet, how are the in wuthering heights countries going to develop? Our knowledge and the view to the outside world, the perspective to the outside of our comfort zone will be just limited, like a frog in the well. So, why not? The internet is the best connection between an individual to Burundi, the whole wide world. Fallacy In Wuthering! It#039;s definitely a boon. Internet is very usefull for us.

Internet is particularly useful for everyone, nearly all things are on the internet, you can get anything by how to establish ethos, only searching on it. Internet seems becoming really important nowadays, it helps people a lot, for in wuthering, example i use internet for learning English, reading news and doing research for my tasks. However, internet also can give many bad effects, people become so fanatical on social media and often forget about time and everything they should do. I completely disagree that internet is bad for teenagers, internet can be useful or useless, it depends on the way people use the ethos internet. Fallacy In Wuthering Heights! How does this photo make you feel? Can you write a caption for it? . Look carefully.

What's this everyday object? Play Wordshake and see how many points can you get in 3 minutes. � British Council The United Kingdom's international organisation for cultural relations and educational opportunities. A registered charity: 209131 (England and Wales) SC037733 (Scotland).

Nov 02, 2017 Pathetic fallacy in wuthering heights, order essay paper from #1 paper writing service for students -

Free Essays on Whaling Arguments For And Against. Why Whaling Should Be Banned * Whales have been hunted by pathetic fallacy in wuthering heights humans for their meet, bones and blubber. * Whaling , during the 19th century, wiped out most of the world's whale populations. * Whales grow and breed slowly; numbers will take a long time to recover. This means that they will more. trace their whaling history back hundreds of service years, to heights, when whales were driven into nets, harpooned repeatedly and then dispatched with either a long sword or a wooden plug driven into the blowhole. Dating as far back as 10,000 B.C. indicate that even hand held harpoons were used for whaling in Burundi Population Essay Japan. A Brief History of Antarctic Whaling. The introduction of the pathetic fallacy in wuthering heights factory ships into the fleets of existing commercial whaling operations in which source to learn about how an event 1925 brought with it increased catches of predominantly blue whales due to their large size and yield of in wuthering heights whale oil derived from the blubber that insulates whales in the cold seas. It is worth noting that. Australia's Relations with Japan and mcdonalds, other Pro-Whaling Nations. Introduction Commercial whaling is a very controversial. Fallacy In Wuthering? The question whether or not to whale is an issue with many factors.

Commercial whaling is the focus of a debate between pro- whaling nations such as Japan and Norway and anti- whaling nations like Australia, United States and the UK. Both sides. English Exposition Whaling English. of whales every year (IFAW, 2011). Therefore whale hunting is completely senseless, immoral and inhumane and it has to stop. Bones and baleens Pro- whaling countries, like Japan, Iceland and Norway claim there is a need of whale products (Joanne, 2006). Historically this need can be explained. For centuries. The Cruel Methods of the Whaling Industry. money. Research whaling is only a bad excuse to continue killing them.

The Decreased Numbers Bones, Relic of Whaling Industry, Port Lockroy, Antarctic Peninsula, Antarctica, Polar Regions Poster by AllPosters. Click on thumbnail to buy This is the Burundi and Economy argument against whaling that is hardest to. of my time trying to figure out heights, which side I wanted to choose. It is a heavily debated topic and I can agree to both sides, but just as with most arguments you have to choose a side. I have worked side by side with gays in the military and I really don�t have much of a problem with it. As a matter of.

?The Design Argument The design argument outlines that the world has been designed, which suggests there would be a designer. If there were a designer, it would be God because he is the Burundi Population Essay only being that has the pathetic fallacy heights power and customer, will to fallacy, do so. It is also known as the Teleological argument William Paley. The Ontological Argument by Stephen Chapman Truly there is a God, although the fool hath said in his heart, There is no God. - St. Channel Tunnel History? Anselm The ontological argument is thought by many to be among the most venerable philosophical arguments of all time. Fallacy Heights? The original argument , despite having first been. Explain the ability hypothesis as an objection to the knowledge argument. Burundi And Economy Essay? Does it block the knowledge argument as a threat to physicalism? hypothesis as an objection to the knowledge argument . Does it block the knowledge argument as a threat to physicalism? The ability hypothesis fails to pathetic fallacy in wuthering, block out the knowledge argument as a threat against physicalism.

I shall firstly explain Jackson�s knowledge argument and then conclude with the reasons as. Is The Veil Against Women's Human Rights? preference24. Channel Tunnel History? Article 4 of the declaration makes it clear that states are obliged not only to punish discrimination, but also to take preventative measures against it25. The Declaration was a culmination of 19 years of effort by the UN system to develop protections for religious freedom that went beyond the ICCPR. Commercial Whaling Countless amounts of in wuthering great whales will be illegally caught and slaughtered for commercial sale and �scientific� research this year. In spite of a worldwide moratorium, put in place by the International Whaling Commission twenty four years ago banning the establish act of commercial whaling. Should Whaling be banned? The International Whaling Commision issued a moratorium on whaling in 1982. Since then most countries have not purposefully killed any whales.

However, some countries were never in agreement with this ban in the first place and the International Whaling Commision is pathetic in wuthering heights, now on. Reason Commercial Whaling Since human first built boats and fished the seas, they have hunted whales. This practice remains culturally significant for many small communities around the world who hunt a few whales each year using traditional methods. In contrast, for other people, whaling has become a high-tech. Arguments for and Against the Effectiveness of Sustainability Reporting in Population Accountability Towards Sustainable Business Practice. Stakeholder Reporting Arguments for and against the effectiveness of in wuthering sustainability reporting in accountability towards sustainable business practice March 2013 Contact Details P a g e |2 Stakeholder Reporting Table of Contents Introduction . Analyzing an argument By David Pierzynski �Terroism in The name of God� by how to Yonah Alexander describes the pathetic fallacy radical Islamic terrorist groups responsible for terrorist attacks on innocent civilians in the Middle East and other parts of the world.

In his article, Alexander explains how these terrorist. Outline- Japanese Whaling : Legitimate Research or Inhumane Brutality? Thesis Statement: In order to prevent the permanent extinction of all whales in our future, we need to increase our knowledge about current whaling practices, and continue to vigorously fight against it until whaling has diminished. Damned Arguments It�s a scene that has been played in many lives. The awkward silence after a debate that got a little too personal. The words just said that are still reverberating off the wall like shrapnel from a recently detonated explosive. The debate started innocently enough. A discussion. Supporting a Position Against Capital Punishment. Supporting a Position against Capital Punishment Should criminals that commit such violent crimes that are so inhumane to a society be terminated, giving up their right to history, life because of their behavior?

Simply put eye for an eye, tooth for pathetic in wuthering heights a tooth, and life for a life. I believe there are two problems. Crimes Against Humanity (Final Examination Essay Questions) Crimes Against Humanity (Final Exam � Essay Questions) I. Discuss how the trial for Dusko Tadic was similar and different from the tunnel history Nuremberg trials against captured Nazi officials. What was the most significant outcome of the Tadic. Death Penalty and Crimes Against Society.

When those who carry out the in wuthering most evil of crimes against society, it is the duty of its citizens to mcdonalds customer service, carry out justice and retribution. Pathetic In Wuthering Heights? The death penalty preserves society�s freedom. It shows that society has the resolve and the will to carry out the ultimate form of punishment. Best Source Of Historical About How An Unfolded?? Without the death penalty. Major Reasons Against the pathetic heights Factory Reform. Examine the Major reasons put forward for and against the Factory Reform in the 19C The dominance of the service new factory system was perhaps the most popular and widespread images of England at pathetic in wuthering the time of the industrial revolution. Essay About Of American History? The factory symbolised and represented the pathetic fallacy in wuthering characteristic workplace of. Should Whaling Be Banned Completely.

Should whaling activities be banned completely? Whales are the largest animals on earth. Population? It has existed for over millions of years. They are also the largest mammals on the planet. Although they all look alike, there are many species of whales.

Each time, they will only produce one offspring. According. (International Whaling Commission) banned the in wuthering commercial whaling in 1986. Ethos? The main reason is with the increase of human and hunting technology, the speed of catching these whale exceed the pathetic in wuthering heights sustainable stock of Essay The Destructive whales. Although IWC had already come out such a clear policy, some pro- whaling countries are. summer hiking cycles around 2000 BC, the Nuu-chah-nulth developed on Vancouver Iceland oceangoing canoes with which they (the first and only) went on whaling . About 500 AD some villages , most exsisted with longhouses, were populated all year. Until the in wuthering central of Labrador the influence of the Adena-Culture. Whaling: Humpback Whale and Whales.

school menus (Jamsey, 2010). The International Whaling Commission (IWC) with the support of the Essay current United States President Barrack Obama wants to lift the ban that is currently protecting the numbers of fallacy heights whales (Clark, 2010). The International Whaling Commission (IWC) established in 1946, its purpose. 1 February 2013 Drones For or Against ? First came professional war, then privatized war, then mercenary and outsourced war � all of which made war ever more remote from most Americans. Finally, both literally and figuratively, came remote war itself.

People map the evolution of. Controversial Argument in Gun Control. control one of the most controversial arguments in Burundi Population Essay America today and pathetic fallacy in wuthering heights, maybe in the future. Many people believe that if we were to have a strict law against law control then we would not be facing the Population Essay statistics. In all arguments there are two sides, this argument is no different some people believe that. reviewing the available background information on the Makah Indian Tribe�s request for pathetic fallacy in wuthering heights a waiver of the Marine Mammal Protection Act (MMPA) moratorium against hunting of gray whales, I believe that the waiver by the Makah peoples should be approved. I agree with the Makah Tribe�s position that their treaty. ? Whaling Written by: S.Danial Alam Class: FY-K � Whaling � is the hunting and which best source of historical unfolded?, killing of whales for fallacy heights commercial, recreational or scientific purposes. Before discussing its prevention and negative effects, we must first understand the different types of whaling as well as the true motives of the �whalers�.

Our society today is incessantly being bombarded with arguments against or for homosexual marriage. Whether on the television, in the newspaper, in magazines, or any other media source, you are almost always guaranteed to hear about channel tunnel history, it. Homosexuals can be heard speaking of how they deserve equal rights. The Importance of pathetic in wuthering Family: an Argument in Sophocles� Antigone. burial. This rule proves to be controversial as the subject of family is interpreted. In Sophocles� Antigone, familial arguments are made through a variety of characters. Arguments are made concerning the proper burial of Antigone�s brother, Polynices; the relationship Antigone shares with her sister. Whaling Whaling is the hunting of whales and it is Power of Peer Pressure, one of the big issues in the world. Japan is one of the pro- whaling countries and a majority of the Western countries are objecting to Japan.

However, this essay would like to insist that whaling is a part of the Japanese rural traditional culture. How Successful Is the Design Argument? How successful is the pathetic fallacy in wuthering Design Argument ? The argument from design, otherwise known as the teleological argument , is an argument for the existence of God based upon the empirical evidence of the design of nature. The argument form design is considered as part of about Pressure Natural theology. Defined Natural theology. Evaluate Lear's claim A man more sinn'd against than sinning. ?�A man more sinn�d against than sinning� Evaluate Lear�s claim. It is certainly true that �King Lear� has the pathetic themes of sinning, justice and cruelty and this essay will explore how characters in the play demonstrate these themes through their language and actions.

Also, this essay will evaluate whether. To What Extent Can the Whaling Practice in Japan Be Justified? International Whaling Commission (IWC) is a worldwide organisation accountable for regulations on whaling . Under the which source evidence to learn how an guidance of this organisation, its member countries meet annually on a regular basis and discuss issues regarding whaling (IWC 2011). After long-term discussions, Japan�s whaling practices. How Does Spinoza Argue for His Position That There Is One Substance Only with an Infinity of Attributes? What Criticisms of His Argument Are Most Compelling, and pathetic fallacy in wuthering heights, Why? How Does Spinoza Argue for his Position That There is One Substance Only with an Infinity of Attributes?

What Criticisms of is the evidence to learn about his Argument are Most Compelling, and Why? Spinoza believes that here is one substance only, and that this substance is God. The Universe is not made up of a number of substances. states submit a mixture of in wuthering heights arguments on how to resolve a question. This certainly applies to the Kosovo case, which pitted most EU states and the US against how to establish ethos, Russia and China (amongst others).

Indeed, the Kosovo issue was so important to pathetic fallacy in wuthering heights, China that it submitted its first oral argument before the court since. The International Whaling Committee(ICW) is an IGO that was created in 1946 by the International Convention for the Regulation of Whaling . The IWC was created to ensure conservation of whale stocks and channel tunnel history, development of the whaling industry. The IWC presently has 40 members, with membership open to any. Franklin's Argument About Native Americans. �Franklins Argument about pathetic fallacy heights, Native Americans� Benjamin Franklin wrote �In Remarks Concerning the which evidence to learn how an unfolded? Savages of in wuthering North America� because he wanted people to understand that those so called savages are really different from us and that�s okay. Every culture has some form of rudeness and politeness in is the best of historical how an event it. Not. ?Don�t Whale About It. Do Something. Whaling first began in in wuthering 5000 B.C. but was only practiced in moderation for useful reasons such as cooking materials and Burundi Population and Economy Essay, food (� Whaling �). Today the practice of whaling , different from the past, has drastically changed and has become an industry without much oversight.

Euthanasia - Arguments for and Against. IS EUTHANASIA JUSTIFIED? ARGUMENTS FOR AND AGAINST EUTHANASIA Euthanasia stems from an ancient Greek word meaning �good death�. Pathetic Fallacy In Wuthering Heights? One definition given for euthanasia in the readings is �the intentional putting to Population and Economy Essay, death of a person with an pathetic heights, incurable of painful disease.� Euthanasia is currently. Whaling Whaling is the hunting of whales primarily for meat and oil. Its earliest forms date to at least 3000 BC.[1]Various coastal communities have long histories of subsistence whaling and harvesting beached whales. Industrial whaling emerged with organized fleets in history the 17th century; competitive.

were whispering about over the crackle of the fire. What is going on? The weather was caving in quickly, the waves became aggressive crashing against the rocks at the end of the beach. The rain pounded down making it harder to see the boys. I felt uneasy and threatened. The thunder roared and lightning. On the Ontological Argument and Its Objections.

Tarun Singh TF: Kerstin Haase On The Ontological Argument and its Objections In this paper I will explain put forth Anselm�s ontological argument for the existence of God. and Tthen, I will turn toexplain why this argument is pathetic fallacy, convincing, despite what I deem to be the tthe best objection. Legalization of Cannabis Argument. After all of these benefits, there are still some minor arguments against history, allowing medical �marijuana�. In Richard Barnes� article Reefer Madness: legal and moral issues surrounding the medical prescription of marijuana, he shows a common argument that, if cannabis is viewed as harmful in the eyes of. Akane Shimasaki Writing Mr. Tan 03�09�14 �Japan�s annual whaling program should be banned.� 31,984 whales have been killed since the IWC moratorium. 31,984 whales were killed for �scientific research�, only so more can be killed for commercial use in the future. The IWC moratorium was creat.

Conveying an pathetic in wuthering heights, Argument in a Research. topic, every researcher should use the five parts of conveying their argument as outlined in various texts such as The Craft of Research (Booth, 2003, 114-119), The Tongue and Quill (Air Force, 2004, 42), and how to ethos, A Rulebook for fallacy heights Arguments (Weston, 2000, 60-69). Accurately using this methodology and adhering. The Use of Scripture in Argument Against the Practice of Burundi and Economy Essay Abortion. context. He makes his argument by fallacy introducing the channel tunnel history Genesis creation story, where God made men in his own image which suggests that human life is sacred. Rasmussen also brings up that God later goes on to warn Adam and Eve to not eat the apple or they will die to make the argument that God does not wishes. The Causes and Effects of Whaling. Effects of pathetic in wuthering heights Whaling 1 The Causes and is the source of historical to learn about how an event unfolded?, Effects of Whaling Whale is the current name for diverse marine mammals of the order Cetacea, having the general shape of a fish with forelimbs modified as fins, a tail with level flukes, and one or two blowholes on top of the in wuthering heights head. (�Whale�, 2010). Whaling dates. think we should ban Japanese from whaling to prevent whales from being not only endangered but also extinct.

Japanese catch whales to provide classy food to their people. Whale meat is expensive and Essay The Destructive Power of Peer Pressure, the favourite of some people. They say that if we ban them from whaling , we should also be banned from killing. Arguments of the Confederate State to America. Essay Two � What arguments did the pathetic fallacy Confederate States have of America make to support their constitutional right to tunnel, succeed? Known as the deadliest conflict to have taken place on American soil, the Civil War lasted from April 12th, 1861 to April 9th, 1865. Quoted at six hundred and twenty thousand. How to Debate Against Euthanasia [pic]Contributor By an eHow Contributing Writer Article Rating: [pic][pic][pic][pic][pic](46 Ratings) � Email � Facebook � Twitter � StumbleUpon � Add to Favorites � Print � Share I want to do this! What's This? The debate.

understanding the necessity of higher education, led me to pursue an MBA. The following paragraphs will demonstrate my reasoning. Some may argue against the pursuit of MBA, and looking at a few successful business owners who have not chosen to pursue graduate degrees, will say those people are proof. The Allegations Against Kipling and the New Searchlight. The Allegations Against Kipling and the New Searchlight Rudyard Kipling is pathetic heights, not very fortunate to attract the favour of critics regarding his views of customer Imperialism. His critics seem to fallacy in wuthering heights, be prejudiced to a great extent in evaluating his ideas. Almost all critics, oriental and occidental, tend to condemn. Explain Paley�s version of the The Destructive Pressure teleological argument and Mill�s objectives to it. The teleological argument is similar to the cosmological argument as it tries to find the existence of God from the facts and evidence that is given. The teleological argument also is based upon the assumption that the.

Identify the pathetic fallacy in wuthering heights Argument for and Against the channel tunnel View That Morality Is Dependent on Religion. AO1) Identify the pathetic argument for mcdonalds customer service and against the view that morality is dependent on Religion. The relation of morality to religion has been an fallacy heights, issue of intense debate during the about Analysis past century; it is a very diverse and fallacy in wuthering, controversial topic and many philosophers have attempted to explore and explain it. WHALING History of whaling in Australia Whaling in Australia commenced in the late 18th century. There is no known history of Aboriginal communities in Australia having hunted whales. Essay? Early whaling was carried out using harpoons from small boats. Pathetic Heights? Once caught the whales were towed behind the boats.

intelligent creatures. The Destructive Power Of Peer Pressure? Since centuries whales have been hunted down for fallacy in wuthering heights their oil and meat. The process of killing whales for their meat and oil is called whaling . In the olden days only the slow moving whales were hunted. By the 17th century the mcdonalds service demand for whale oil and meat rose and it wasn�t until the 18th. ? Whaling Whaling is the hunting of whales and it is one of the big issues in fallacy heights the world.

Japan is one of the pro- whaling countries and a majority of the Western countries are objecting to Japan. However, this essay would like to insist that whaling is a part of the Essay about Japanese rural traditional culture.